Chariot Race

Art Institute of Chicago

Chariot Race

Jean Léon Gérôme (French, 1824–1904)LinkedCulture matchlcp-ffce822b64bd

Date
1876
Medium
Oil on cradled panel
Culture
France
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
100350

From the Art Institute of Chicago record

Jean-Léon Gérôme claimed that he based this almost cinematic depiction of a chariot race at the Circus Maximus stadium in Rome on archaeological research. The painting was first acquired by New York department store magnate A. T. Stewart, reflecting the popularity of Gérôme’s slickly finished and often dramatic work among wealthy American collectors in the 19th century. Its arrival in the United States made headlines and was reported by young writer Henry James, who described it as “a fierce mêlée of beasts, men, and wheels; the struggle and confusion are powerfully expressed, and the horses and chariots painted with that hard, consummate finish characteristic of the author.”

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.cVv7TDDr6wBFZ4jj.90gJj3BGUCccH6L8XB5CsvNZOb-UW2FSqNpA_sqRQRlLWqq-qdcxkLK3f7SUTG78UeQlcvzX_68oq1jJWJ5JtNhetklfdqeR27VVGPSy8Tuol4Gjcrf2TUvbl3gqzstnej2ipbKCfRIb_8SmUjgpQH1CDVN87MZJG55NBWtjIEDw5yDdKNr83gbhVfFLVuhuxu-Su5xCvhSkZx_rlF-7zWtDMCbojPfHVFsDZSeyOd_aUY4ecjpezfbyWXKjdca4AdV-M-QL-uCZosz8S95r9WdrqfzuSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.z60-YWYSkjdgPt-h.8mrQQwDFywKiYZ8IbqtFr0aTtSOYK56q62PtRazPtQQe4LGuaRpUs56TohtiA8nAZWJ_z-1otdMTYRfj97uNLtNl5ZcirvlFpGz7FY61al6x2hSJMDyNs3LMSdsdTFMB827p4ziY6G8T1F_WFTz7qrKq3xg44-EqR-082KnpR9856J-Z9ijiMWM_UerTrDHJYXw9nQVIz3AW-oylNL6rBQRvGUXIgOuai0-H8iAxZ-Gsr-rl4_wmSbY-5RMllhb5MNQvgyCaeAoSwJSpuiF0st_Wgg
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
George F. Harding Collection
Provenance
Alexander Turney Stewart (died 1876), New York; his widow, Cornelia M. Stewart, New York (died 1886); sold American Art Association, New York, March 23, 1887, lot 60, to Henry Hilton for $7,100 [buyer according to New York Evangelist 1887; price according to an annotated sale catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague]; Henry Hilton (died 1899), New York. E. H. van Ingen (died 1920), New York; his estate; sold Anderson Galleries, New York, January 24, 1928, lot 145, to Clapp & Graham Co., New York, for $2,100 [buyer according to a letter from Clapp & Graham Co. to George F. Harding Jr. dated March 8, 1928, copy in curatorial file; price according to an annotated copy of the sale catalogue in Ryerson Library, Art Institute]; Clapp & Graham Co.; sold to George F. Harding Jr. (died 1939), Chicago, November 9, 1928 [according to the receipt of sale, copy in curatorial file]; bequeathed to The George F. Harding Museum, Chicago; transferred to the Art Institute, 1984.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300033618

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.