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Hiroshige’s woodblock print of figures crossing a bridge in a downpour, rain drawn as fine diagonal lines.

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In 1887 Van Gogh copied a Hiroshige print brushstroke for brushstroke. He made three that year. Degas collected over a hundred prints without ever imitating one, Cassatt changed medium after seeing seven hundred in a single room, and Toulouse-Lautrec borrowed not the pictures but the signature underneath them. One encounter, four answers, across three collections here.

  • Art Institute of Chicago
  • Rijksmuseum
  • Minneapolis Institute of Art

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