The Expulsion of Adam and Eve from Paradise

Art Institute of Chicago

The Expulsion of Adam and Eve from Paradise

Benjamin West (American, active England, 1738-1820)LinkedCulture matchlcp-6dfc1f4f3513

Date
1791, retouched 1803
Medium
Oil on canvas
Culture
England
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
102227

From the Art Institute of Chicago record

This tumultuous scene shows Adam and Eve, the first man and woman in the Hebrew Bible, being driven out of the Garden of Eden. Benjamin West created it as a preparatory sketch for one of several large paintings intended for a chapel in Windsor Castle, an ancient seat of the British monarchy that was undergoing restoration in the late 18th century. West worked on the project for two decades, but King George III abandoned plans for the chapel’s decoration and the paintings were never installed. One of the earliest American artists to achieve international renown, West spent much of his career in London. There, he served as a teacher and mentor to a generation of younger American artists who trained abroad, including Rembrandt Peale and Thomas Sully .

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.lLSrzfz2s41j8_X1.6RZUTSo5roG6xMcqgTFYu5vSq05Du_dRri9n9jtcrneQW016-AAF2hlg7xrB2N6uctOvItFPSqIZp93-wsMcLJ4Znd0c7rJM3uFoGSbpVAZUflGJ79eqGQHYBbgunsqBYw5jlXltZLsYol6-c955jXUKEiAHy2Cr2hLWqLr1g9l9Hmc6BI24gJkJjzH0zYqFSX6K6TsJ-PmiuN0aujqJoIKYswalvBCA0c1d8fRDu6BeWucq-x4A0U78nVh2tsNyZLMmvSp8F5v_CAqILxvGV5QUKtHoSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.zKocLHe4hRefiP0o.m6ZxqQwZRTWiV0uFid3H5vmUJIF4qElOa6keSxE-ajlozZ0n4cr6bR5VUgKeioqqVDlVjqXcMG92aH9Rvf18kfjoz8tetin4A8FfmygcJHeiHbeGnpu6MKAyF6tOPqnmgPiOZcp-pPQm4Xm6Aih2s2D-x-MSLNzCRGKJyBW6KpT1tVXntDaLVdogYJPFIkXEw0mPmFf8PMnYURyP9ap_tReUpQzqDJWi6Tw9AUD9w9MN5orCWZVuaBgCbj5YxIZMDA33PsYOk_cRkTGm9aSufyXPeA
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
George F. Harding Collection
Provenance
Benjamin West (d. 1820); by descent to his sons, Raphael Lamar West and Benjamin West Jr.; sold Robins, London, May 22–25, 1829, no. 88, to Hayes for 43 gns [von Erffa and Staley 1986, p. 286, no. 233]. Possibly Henry Graves and Son, London [information on mount of a photograph at the Frick Art Reference Library]. Samuel Putnam Avery, New York; sold by Avery to Thomas B. Clarke, New York, by 1891; sold American Art Galleries, New York, February 14–18, 1899, no. 355, to Harry W. Watrous for $200 [von Erffa and Staley 1986, p. 286, no. 233]; Harry W. Watrous to at least 1922 [lent by him to the Brooklyn Museum exhibition 1922]; sold by Watrous to M. A. Newhouse and Son, St. Louis [letter of 15 April, 1994 from Joan Pope of Newhourse Galleries in curatorial file]; sold by Newhouse to George F. Harding, Jr. (d. 1939), Chicago, 1926; bequeathed to the George F. Harding Museum, Chicago; transferred to the Art Institute, 1982.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300033618

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.