The Garden of Palazzo Contarini dal Zaffo

Art Institute of Chicago

The Garden of Palazzo Contarini dal Zaffo

Francesco Guardi (Italian, 1712–1793)LinkedCulture matchlcp-c557affc523c

Date
Late 1770s
Medium
Oil on canvas
Culture
Italy
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
111610

From the Art Institute of Chicago record

A member of a family of painters in Venice, Francesco Guardi is renowned for his lively views of the most recognizable monuments of this picturesque city and for his engaging architectural fantasies, or capricci. Wealthy travelers making the grand tour of Europe—considered an essential part of an education for upper-class men—provided an important market for such views. In this case, however, the patron was not a foreigner passing through Venice, but John Strange, who lived in the city on the lagoon as the British resident, or representative. This view of the garden of a private house in Venice was highly unusual for Guardi. On the right is the rear facade of the Palazzo Contarini dal Zaffo; the front faces the Grand Canal. The artist’s main subject here is the palace’s formal garden, a luxury in Venice’s crowded urban environment. Elegant couples stroll through the garden’s geometric parterres. Guardi’s attention to the play of light further animates the scene—a shadow cast by an unseen building in the foreground divides the composition and contrasts with the bright light reflected off the facade of the residence and the distant, shimmering lagoon on the left. These observations of light and place probably reflect the aesthetic interests of Strange, who commissioned the painting from Guardi as one of a set of four remarkably original views. Two of the four paintings show Strange’s own villa on the mainland. What connection Strange may have had to the Palazzo Contarini dal Zaffo is unclear.

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Provenance & credit

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Credit line
Gift of Marion and Max Ascoli Fund
Provenance
One of series of four viewed in Venice and the Veneto, presumably painted for John Strange (died 1799), British resident in Venice between 1773 and 1788; sale of his collection, European Museum, London, May 27, 1799, no. 49 (bought in); sale of his collection, Christie’s, London, March 15, 1800, no. 99. Colonel Milligan of Caldwell Hall, Burton-on-Trent; Nottinghamshire; sold, Christie’s, London, March 13, 1883, no. 358 or 359, to Davies [this information given in Christie’s sale catalogue, December 8, 1989 under no. 114, Villa Loredan from the same series]; Charles Davies, London. Colnaghi’s, London [Ames 1963, p. 37 states that Rothermere acquired the series from Colnaghi]; Harold Sidney Harmsworth, first Vicount Rothermere (died 1940) [the series of four paintings was intact on the death of Lord Rothermere, but appears to have been sold separately and privately after his death, see Fahy 1973, p. 111]. Knoedler, New York [according to Knoedler label on the back with stock no. 423 [5 or 6] 2]. Alfred Frankfurter, New York [letter from Alfred Frankfurter to Mr. and Mrs. Ascoli dated July 16, 1947, copy in curatorial file]; Dr. and Mrs. Max Ascoli, New York, by 1947 [letter cited above]; given to the Marion and Max Ascoli Fund; given to the Art Institute, 1991.

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Object type
AAT300033618

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