The Discovery (recto), Two Sketches of Standing Male Figures (verso)

Art Institute of Chicago

The Discovery (recto), Two Sketches of Standing Male Figures (verso)

Henry FuseliLinkedCulture matchlcp-51a294594c6f

Date
1767/69
Medium
Pen and brown ink and brush and brown wash, over graphite with traces of opaque brown paint (recto), graphite (verso), on cream laid paper, tipped onto ivory laid paper
Culture
Switzerland
Department
Prints and Drawings
Institution
Art Institute of Chicago
Object ID
113496

From the Art Institute of Chicago record

This powerful drawing—a bravura exercise in virtuoso line and tonal washes—illustrates a story from Swiss theologian Ludwig Lavater’s book De Spectris (“On Ghosts”), published in 1569. It describes a priest who, dressed in a sheet, haunts his wealthy niece who is living in his house, in an attempt to rape her and cheat her of her fortune. Terrified, the niece enlists the aid of a friend who exposes the repentant priest. The curious badminton match visible in the background—not in the story, but added by Fuseli as a critical commentary—is a reference to a proverb composed in Latin by the Dutch poet Jacob Cats (1577–1660): Amor ut pila vices exiget , “Love, like a ball, demands reciprocation.”

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Credit line
Purchased with funds provided by Frank B. Hubachek
Provenance
Probably sold by the artist's estate to Baroness Susan North (died 1837; née Coutts and later Countess of Guildford), Petersham Castle, England; by descent to her daughter, Susan, 10th Baroness North (1797-1884) [stamp (Lugt 1947), verso, center, in black; Tomory 1972.]; probably sold, Sotheby's, London, July 14-15, 1885, Baroness North sale [Lugt 1947]. Arthur Crossland, Bradford, Yorkshire; sold, Christie's, London, Mar. 9, 1956, Crossland sale, lot 4. Sold by Durlacher Brothers, New York, to the Art Institute, April 1956.

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Object type
AAT300033973

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