Art Institute of Chicago
View of Pirna with the Fortress of Sonnenstein
Bernardo Bellotto (Italian, 1721–1780)LinkedCulture matchlcp-49a1300861e1
- Date
- c. 1760
- Medium
- Oil on canvas
- Culture
- Italy
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
- Object ID
- 12895
From the Art Institute of Chicago record
Well trained by his uncle, Canaletto , Bernardo Bellotto quickly established his own reputation as a gifted view painter. By 1746 he was appointed court painter to the elector of Saxony in Dresden, who commissioned him to produce cityscapes. Bellotto was subsequently asked to create 11 large-scale paintings of the nearby town of Pirna; the present picture is a reduced but otherwise exact replica of one of those celebrated works. Exalted in Bellotto’s cold, crystalline light, the fortress of Sonnenstein presides over the scene from its hilltop. In the left foreground, townsfolk congregate at a small obelisk that bears the arms of Saxony.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Clyde M. Carr Fund
- Provenance
- Oliver Latham (d. 1850?), sold Christie's London, April 13, 1850, lot 27, to Mr. Hoare for 16 gns. William Lygon, 7th Earl Beauchamp, London (died 1936) [according to archival photograph and stockbook of Arthur Tooth and Sons; information kindly provided by Simon Matthews]. Arthur Tooth, London, 1939; sold to Karl Haberstock, Berlin, April 1, 1939 [according to Tooth stockbook cited above and Ein- und Verkaufsbuch for July 1936 - December 1939 preserved in the Haberstock Stiftung, Augsburg, copy in curatorial file; the pair of paintings are also documented in the Warenkontrollbücher of 1939, 1940, and 1941; in the last book it is listed as on deposit in the Dresdener Bank, Tegernsee]; consigned by Haberstock to Julius Böhler, Munich in 1950, [letter of January 29, 2001 from Jutte Fianke, Böhler]; sold by Böhler to E. and A. Silberman, New York, in January 1951 [according to the letter from Jutta Fianke cited above]. Arthur C. Tate, New Canaan, CT, 1957 [according to Hartford 1957 exhib. cat.]. E. and A. Silberman Galleries, New York, by 1960 [advertised in Burlington Magazine, December 1960]; sold to the Art Institute, 1961.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300033618
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola
Minneapolis Institute of Art
#1673

Vuё des ruines des fauxbourgs de la Ville de Dresde
Minneapolis Institute of Art
#127726
The Ruins of the Pirnaischer Suburb with the Palais Fürstenhof
Art Institute of Chicago
#221873

View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo
Getty Museum
#fcb62fef-bf5b-4d14-92cc-4e63e06d416f

Landscape with Tharandt Castle Ruins
Cleveland Museum of Art
#536653

Landscape with Tharandt Castle Ruins
Cleveland Museum of Art
#536652

View of Dresden
Cleveland Museum of Art
#137144

View of Dresden
Getty Museum
#e8c8dcba-0906-4ab1-ac1a-d467d95191a4

A View of Bracciano with the Church of S. Maria Assunta
Cleveland Museum of Art
#80647

View of Tollenstein
Minneapolis Institute of Art
#114537
Exterior View of the Italian Gate of the Ramparts of the Town of Dresden
Art Institute of Chicago
#188958
The Tower of Malghera, from Vedute
Art Institute of Chicago
#159754