Art Institute of Chicago
Woman Reading
Édouard Manet (French, 1832–1883)LinkedCulture matchlcp-1088101e6ec3
- Date
- 1880–82
- Medium
- Oil on canvas
- Culture
- France
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
- Object ID
- 14591
From the Art Institute of Chicago record
During the late nineteenth century, Parisian cafés were the gathering places of artists and writers and were ideal locations for observing the urban scene. Many Impressionist paintings depict the Café Nouvelle-Athènes on the rue Pigalle, where two tables were reserved for Édouard Manet and his circle—a group that included the painters Edgar Degas , Claude Monet , Camille Pissarro , and Pierre-Auguste Renoir , and the writers Charles Baudelaire and Émile Zola . At first glance, this fashionably dressed young woman appears to have been captured sitting at a favorite café: the marble tabletop, beer mug, and magazine attached to a wooden bar suggest such a setting, and her heavy clothing and kid gloves indicate that she is at an outdoor table and that the weather is cool. However, the floral background is actually one of Manet's paintings and the café a re-creation in his studio. Woman Reading is one of the most Impressionist of Manet’s images; the quick, free brushstrokes and light colors are characteristic of his technique late in his career. Painted only a few years before his death, this work admirably captures a fleeting moment, the sense of modern life that Manet and his contemporaries sought to represent.
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Provenance & credit
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- Credit line
- Mr. and Mrs. Lewis Larned Coburn Memorial Collection
- Provenance
- The artist; sold to Jean-Baptiste Faure (d. 1914), Paris, March 1882 [per Leenhoff, c. 1910, published online, fol. 81, https://gallica.bnf.fr/ark:/12148/btv1b10548955r]; by descent to his son, Maurice Faure (1862-1915), Paris, probably through 1928 [per Tabarant 1931, p. 341; according to Bernheim-Jeune exhibition label on the stretcher from 1928, the painting was possibly still with the family]. Possibly Galerie Bernheim-Jeune, Paris, 1928 or 1929 [per Allan, Beeny, and Groom, 2019, p. 303]. Howard Young Galleries, New York, by 1929; sold to Mrs. Lewis Larned Coburn (née Annie Swan, d. 1932), Chicago, 1929 [per Art News 27, 40 (Sept. 14, 1929), p. 12]; bequeathed to the Art Institute of Chicago, 1933.
Linked open data
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- Object type
- AAT300033618
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