The Battle of Actium from The Story of Caesar and Cleopatra

Art Institute of Chicago

The Battle of Actium from The Story of Caesar and Cleopatra

After a design by Justus van Egmont (1601–1674)LinkedCulture matchlcp-6c2dd7b77fed

Date
c. 1680
Medium
Wool and silk, slit and double interlocking tapestry weave Warp: Count: 9 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.5–0.9 mm. Weft: Count: varies from 22 to 37 wefts per cm; wool: S ply of two Z-spun elements; diameters: 0.4–0.8 mm; silk: pairs and three yarns of S-ply of two Z-twisted elements; diameters: 0.6–0.9 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.6–1.0 mm
Culture
Brussels
Department
Textiles
Institution
Art Institute of Chicago
Object ID
147056

From the Art Institute of Chicago record

During the winter of 42–41 BCE, Cleopatra became pregnant with twins. The following year, however, Antony returned to Rome and prepared a long-awaited campaign against the Parthians. Yet Octavian failed to support the endeavor. Disappointed, Antony left Italy and sailed to Alexandria, where he renewed his relationship with Cleopatra. Meanwhile, the triumvirate disintegrated, and Octavian rose to power in Rome. Eventually Antony broke off relations with Octavian, and in 31 BCE civil war broke out again. The decisive sea battle was fought at Actium, a promontory in northern Greece. As depicted in the tapestry, the Egyptian fleet was destroyed by the Romans, and Antony fled to Egypt in Cleopatra’s boat. In 30 BCE, Octavian invaded Egypt. Rather than surrender to his enemy, Antony committed suicide. A few days later, Cleopatra followed his example. Their tragic deaths are not included in this suite.

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Open this page QR destination: https://linkedculture.org/q/q1.CP-O5wXa_ZDvMbO9.hcu5wozeYmqPR35JarFl6sD6msvtHz8_XWf939HS12yP9F0nOPCGQo8JxyGRGgVoDkzbyBzxfRQAwOh36Uo-cad0sJYnIxGTAok_Fegqf7sGNcWUlgUgP_lb-N_kY4ITHXmxOz1OLnqS09i9pBv-FMY4zQj_-OLE6qjdlQ2rR_0yccSkBL8gIZfxagKxkRssPsuV0TisqqAVQExi8oX9vg61aHgy80BXeKQo0MsOhJp2HTSbUEa3oVCp9u_SrJjVPoffAQ1ShoAWN9DWNWtzPgINYqPuSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.Afr2DvidNrRpYv2Z.zq9w0xYIzCZIl2yit2rJqsZoqnSort-_u2gYzgMO7j7-8RErKfVepF8CG9iDYT8-RXICLh6QXYvWUky0Igc00PeDK0i8--Axh37CxCNrVnv5vL2Q6GwN9pDBthKR7B5ARcO3epc2oDniJILwqf-ncNGqy0IndgmUYYCBV4xi41i3rJyedRCKilF0HJ4AYHD32TtNnkXQEiUGtYOPezk1JvXd-BNUBlBGiRL3NgCeC9dKyJulVN4Ch0W0zwIMBiyIAtmx9M-nAVr2e5ton2oDfivv1w
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Provenance & credit

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Credit line
Gift of Mrs. Chauncey McCormick and Mrs. Richard Ely Danielson
Provenance
Possibly the Villalonga family, Mallorca, to 1914 at the latest; Charles Deering (died 1927), Marycel, Sitges, Spain, by 1914; by descent to his daughters Mrs. Chauncey McCormick (born Marion Deering, died 1965) and Mrs. Ely Danielson (born Barbara Deering, died 1982); given to the Art Institute, 1944.

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Object type
AAT300014063

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