Equestrienne (At the Cirque Fernando)

Art Institute of Chicago

Equestrienne (At the Cirque Fernando)

Henri de Toulouse-Lautrec (French, 1864–1901)LinkedCulture matchlcp-4b458c973ce6

Date
1887–88
Medium
Oil on canvas
Culture
France
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
16146

From the Art Institute of Chicago record

This work, set at a circus, captures the tense moment in which a female trick rider prepares to stand up on her horse and leap through a paper hoop held by a clown. The horse gathers speed, spurred on by the whip of famous ringmaster Monsieur Loyal. Henri de Toulouse-Lautrec may have based the garishly made-up rider, dressed in a tutu of gauze and sequins, on Suzanne Valadon, a former circus performer, model, and artist with whom he had a nearly three-year relationship. The rider seems to snarl at Monsieur Loyal, who glares back at her. Toulouse-Lautrec’s setting is the same circus in Montmartre depicted in Pierre-Auguste Renoir’s portrait of the Wartenberg sisters . This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.

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Provenance & credit

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Credit line
Joseph Winterbotham Collection
Provenance
Joseph Oller, Paris, 1888 (bought for his café concert, Le Moulin Rouge) until 1914 [see Paris, Paul Rosenberg 1914]. Baron LaFaurie, Paris, by 1914 [see Paris, Manzi Joyant, 1914]. Paul Rosenberg & Co., Paris by 1924 [see Paris 1924]. Joseph Winterbotham, Chicago, by 1924; given to the Art Institute of Chicago, 1925.

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Object type
AAT300033618

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