Virgin and Child

Art Institute of Chicago

Virgin and Child

Workshop of Rogier van der Weyden (Netherlandish, c. 1399-1464)LinkedCulture matchlcp-28c11e8fa7f4

Date
c. 1460
Medium
Oil on panel
Culture
Belgium
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
16303

From the Art Institute of Chicago record

This tender painting is an image type known as a Madonna lactans , which depicts the Virgin Mary nursing the infant Jesus, highlighting her role as nurturer and intercessor between the human and divine realms. To convey the close connection between mother and son, Rogier van der Weyden exploited the qualities of oil paint, a highly manipulable medium that can be blended while wet. This characteristic allows for realistic modeling through seamless transitions of light and shadow, seen most poignantly here in the slight indentations of Mary’s fingers in the infant’s skin where she supports him.

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Provenance & credit

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Credit line
Mr. and Mrs. Martin A. Ryerson Collection
Provenance
Vincent Steyaert, Bruges, by 1867 [lent by him to Bruges 1867]. Dr. De Meyer, Bruges, by 1884 [according to Hymans 1884 and 1902]. J. Mathys, Brussels, by 1902 [lent by him to Bruges 1902]; sold, Galerie J. & A. Le Roy Frères, Brussels, Dec. 18, 1911, no. 11, to Steinmeyer & Fils, Paris; sold to Martin A. Ryerson (d. 1932), Chicago, June 23, 1913 [invoice; Art Institute Archives]; on loan to the Art Institute from 1915; bequeathed to the Art Institute, 1933.

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Object type
AAT300033618

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