Art Institute of Chicago
Tynemouth Priory, England
Winslow HomerLinkedCulture matchlcp-bcddaaacf48f
- Date
- 1881
- Medium
- Transparent watercolor, with traces of opaque watercolor, rewetting, blotting and touches of scraping, over graphite, on thick, rough-textured, cream wove paper (top and lower edges trimmed)
- Culture
- United States
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 16837
From the Art Institute of Chicago record
During his 1881-82 stay in England, Homer settled in the small fishing village of Cullercoats. He often depicted fisherfolk in the village and neighboring areas, as in Tynemouth Priory, England , in which a woman and two fishermen occupy a coble that is floating in choppy waters off the coast, and a fisherman wearing yellow gear is busy hauling in a net, presumably filled with the day's catch. A ruined castle and priory that dominate the coast near Tynemouth are visible in the righthand background; Homer would have seen this view daily from his rented studio overlooking Cullercoats Harbor. The artist's use of transparent gray wash for the ruins makes them appear ghostly and desolate in the mist. Overall, this work successfully captures a sense of ocean breezes and moist salt air.
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Provenance & credit
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- Credit line
- Mr. and Mrs. Martin A. Ryerson Collection
- Provenance
- The artist to his brother, Charles S. Homer, Jr. (1834–1917), New York, by 1910 [according to correspondence from Abigail Booth Gerdts to the Art Institute, February 10, 2007]. Charles W. Gould (1849–1931), New York, by 1915 [Brooklyn exh. cat. 1915]. Sold by Knoedler and Company, New York, to Martin A. Ryerson (1856–1932), Chicago, November 11, 1915 [invoice]; given to the Art Institute, 1933.
Linked open data
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- Object type
- AAT300033973
Part of a LinkedCulture topic
American Watercolor Landscape ArtThese objects are predominantly watercolor and drawing works by American artists depicting natural landscapes, outdoor recreational activities, and coastal or wilderness scenes from the 19th century.
63 objects from 3 institutions
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