Telemachus Battles the Lion, from The Adventures of Telemachus, Book 2

Art Institute of Chicago

Telemachus Battles the Lion, from The Adventures of Telemachus, Book 2

Bartolomeo PinelliLinkedCulture matchlcp-3462d0c6c56d

Date
1808
Medium
Pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board
Culture
Italy
Department
Prints and Drawings
Institution
Art Institute of Chicago
Object ID
17974

From the Art Institute of Chicago record

These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s. Telemachus is the son of Ulysses from Homer’s Odyssey , the first four books of which describe the hero’s search for his father. Fénelon invented further adventures for Telemachus, in which he undergoes many trials while accompanied by his tutor, Mentor, who is actually the goddess Minerva (the embodiment of wisdom) in human disguise. A scathing critique of autocratic government and a diatribe against war, the book denounces luxury and decadence and calls for the simplicity and equality Fénelon believed ancient Greece best exemplified. Pinelli illustrated scenes from books 1–8 and one scene from book 18, and probably planned to illustrate more from the 24 books of the text. Throughout, he celebrates the heroic nude, displaying a deep knowledge of ancient Roman sculpture. His style, influenced by Jacques-Louis David and John Flaxman, is characterized by bold, almost cartoonish contours, monochromatic washes, and frieze-like arrangements of figures. During his captivity in Egypt, Telemachus ensures his fame by wrestling and killing a lion that had attacked his and his fellow shepherds’ flocks. This, and word of the golden age he restored to the desert, ultimately secure him his freedom from servitude.

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Open this page QR destination: https://linkedculture.org/q/q1.coci09I84e9bO3Yv.6QxxbZ24eKTYmIaxUmeQm9ZPD7rkYuNMrDmIWQYxeJpll5vtv_uv7f4-1LWJ1jTfwJCPJZtAER6nEI3cxz5YS6566jbNdpiH_nBgV0EbAs76cR6f7uxeVVSHl66gKxhROYgFZMopR1a1p9uOuHV40e8t3r6ETqc9KZufgeJVyeeWhdSWGp6M_aARPYvO1sLDEw5VQIznx3Ayxnk1KxE8WnB0Krxizs_y9F4Wb1EEr4Z5Jq5BHJ7MEIRIpd5THlsGM_eqqab7hL7TrwBZ4BEOM3eCSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.tGQuj8qojvoN5AWz.53i14agtSaqdW-II3nsyCb6tx52NApOY59Hhe11sq2UyAfGY6zUVQukhieGiOWKdG70hwYFbEqk-tcTWTBWb3ZvCW5rw2SXNAWI5aCAdEXdrw8OcMLLX4wJjwVE1ANSDQ51KsERjAIPDvPiwWA7wYgvtbK9Mxjhl_blEv-Cxblj2P0ZNbbqvL6RRSpiwk9YcMtAWPWH6-CubhWJAh_mJurFGgrcim4Bz6ad4cJIgJAARYjgLUrMPP1spnIqdgWJ8r3b4-R0BtO9TZwpeWhBWOQ
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Credit line
Wirt D. Walker Fund
Provenance
Sold by Walter Schatzki (died 1983), New York, to the Art Institute, 1963.

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Object type
AAT300033973

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