Final Study for "Bathers at Asnières"

Art Institute of Chicago

Final Study for "Bathers at Asnières"

Georges Seurat (French, 1859-1891)LinkedCulture matchlcp-1955b7ee54c2

Date
1883
Medium
Oil on panel
Culture
France
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
20199

From the Art Institute of Chicago record

Georges Seurat made this painting as a preparatory work for his monumental Bathers at Asnières , now in the National Gallery, London. It shows men and boys on the bank of the Seine River in the working-class Parisian suburb of Asnières. The view presented here is just across the river from the leisure park Seurat immortalized in his best-known work, A Sunday on La Grande Jatte—1884 . The frozen gestures and sedate poses of these bathers set a mood distinct from the sparkling scenes of Parisians enjoying restaurants and other riverbank activities favored by the Impressionists. Nevertheless, Seurat’s focus on a subject from modern life, his luminous palette, and his airy brushwork show how the young artist adapted characteristics of Impressionist painting for his own purposes.

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Provenance & credit

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Credit line
Gift of the Adele R. Levy Fund, Inc.
Provenance
The artist; given to Robert Caze (died 1886), Paris [this and the following according to Dorra and Rewald 1959, 100; see also Seurat's list of owners of his works where Caze is named as the owner of "Esquisse de la baignade," reprinted in New York 1991, 380]; by descent to his widow, Louise Caze (died 1887), Paris. Gary. W.H. Sprenger, Paris and Essen [according to email from Claudine Godts, Wildenstein, Oct. 28, 2021; copy in curatorial object file]; Wildenstein and Co., New York, by 1948; sold to David M. Levy (died 1977) and Adele R. Levy (died 1960), New York, 1949; given to the Art Institute of Chicago, 1962.

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Object type
AAT300033618

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