Art Institute of Chicago
Noah Smith
Ralph EarlLinkedCulture matchlcp-124286242508
- Date
- 1798
- Medium
- Oil on canvas
- Culture
- Bennington
- Department
- Arts of the Americas
- Institution
- Art Institute of Chicago
- Object ID
- 2158
From the Art Institute of Chicago record
Ralph Earl garnered portrait commissions primarily from wealthy rural landowners in Connecticut, New York, and Vermont. A loyalist, Earl fled America for England during the Revolutionary War, developing his portrait style, in turn, by studying with Benjamin West (an American painter in London) and through contact with English artists. Returning in 1785, Earl painted this portrait of Noah Smith late in his career, having melded his British training with a simpler, linear style that appealed to his clients of the rural gentry. In this work, Smith, chief justice of the Vermont Supreme Court, sits assuredly before the viewer; the map at hand, pastoral view at left, and volumes of books behind him signal the sitter’s prominent position as a man of affairs in the young nation.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Goodman Fund
- Provenance
- Noah Smith, Bennington, Vermont, 1798; by descent to Eliza Smith, Huntington, Vergennes, Vermont, 1812. Ann Eliza Huntington, Vergennes, Vermont, by 1912; John Harrington, Vergennes, Vermont, from 1912; bequeathed to Grand Lodge of the Most Ancient and Honorable Society of Free and Accepted Masons of the State of Vermont, Burlington, Vermont, from 1913; sold to the Art Institute of Chicago, 1956.
Linked open data
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- Object type
- AAT300033618
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