Art Institute of Chicago
Apollo Driving the Chariot of the Sun
Lelio OrsiLinkedCulture matchlcp-a160aa8498da
- Date
- 1544/45
- Medium
- Pen and black ink, with brush and brown wash, heightened with white opaque watercolor, with incising, on cream laid paper prepared with a light brown wash, laid down on thick laid paper
- Culture
- Italy
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 244910
From the Art Institute of Chicago record
As the heroic sun god Apollo drives his four-horse chariot (the semicircle of the sun directly behind him), Aurora, goddess of the dawn, strews flowers in his path, announcing his—and the new day’s—arrival. Lelio Orsi’s drawing is a final preparatory sketch for an illusionistic outdoor fresco (now lost) on the clock tower in the central square of the northern Italian city of Reggio Emilia. Orsi was so successful in suggesting the god’s powerful forward thrust that Apollo looks as if he is about to leap from his chariot and out of the picture plane. Orsi derived his heroic, classicizing graphic style primarily from Michelangelo.
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Provenance & credit
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- Credit line
- Gift of Richard and Mary L. Gray
- Provenance
- Sir William Forbes, 7th Baronet of Pitsligo (1773–1820), Fettercairn, Kincardineshire, possibly acquired through James Irvine (1757–1831); by descent to his son, Sir John Stuart Hepburn-Forbes, 8th Baronet of Pitsligo (1804–1866); by inheritance to his son-in-law, Charles Trefusis, 20th Baron Clinton (1834–1904); by descent; sold, Sotheby’s, New York, Jan. 25, 2017, lot 9, through François Borne to the Gray Collection Trust, Chicago; given to the Art Institute of Chicago, 2019.
Linked open data
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- Object type
- AAT300033973
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