Art Institute of Chicago
The Resurrection
Bartholomeus Breenbergh (Dutch, 1598–1657)LinkedCulture matchlcp-26ffd2f7e3ce
- Date
- c. 1635
- Medium
- Oil on panel
- Culture
- Holland
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
- Object ID
- 28173
From the Art Institute of Chicago record
As Jesus rises in triumphant Resurrection, the Roman soldier guarding the tomb at the lower right, seems, at first glance, to respond in awestruck ecstasy. He and his fellow guards, however, remain deeply asleep, ignorant to the divine event. The soldier’s discarded helmet was inspired by a wellknown design by 16th-century Italian armorer Filippo Negroli; it can also be seen in paintings by artists like Bartholomeus Breenbergh’s teacher, Pieter Lastman. Many artists appreciated such pieces of Negroli armor for their fantastical, animalistic designs that reference classical ornament, and often collected them as studio props for use in history scenes.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Louise B. and Frank H. Woods Purchase Fund
- Provenance
- Julius H. Weitzner, London, owned jointly with Michael Asscher, by 1967 [according to letter of 21 May 1967 from Weitzner to Charles Cunningham in curatorial file]; sold to the Art Institute, 1967.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300033618
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.