The Resurrection

Art Institute of Chicago

The Resurrection

Bartholomeus Breenbergh (Dutch, 1598–1657)LinkedCulture matchlcp-26ffd2f7e3ce

Date
c. 1635
Medium
Oil on panel
Culture
Holland
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
28173

From the Art Institute of Chicago record

As Jesus rises in triumphant Resurrection, the Roman soldier guarding the tomb at the lower right, seems, at first glance, to respond in awestruck ecstasy. He and his fellow guards, however, remain deeply asleep, ignorant to the divine event. The soldier’s discarded helmet was inspired by a wellknown design by 16th-century Italian armorer Filippo Negroli; it can also be seen in paintings by artists like Bartholomeus Breenbergh’s teacher, Pieter Lastman. Many artists appreciated such pieces of Negroli armor for their fantastical, animalistic designs that reference classical ornament, and often collected them as studio props for use in history scenes.

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Provenance & credit

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Credit line
Louise B. and Frank H. Woods Purchase Fund
Provenance
Julius H. Weitzner, London, owned jointly with Michael Asscher, by 1967 [according to letter of 21 May 1967 from Weitzner to Charles Cunningham in curatorial file]; sold to the Art Institute, 1967.

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Object type
AAT300033618

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