Art Institute of Chicago
The Denial of Saint Peter
Hendrick ter Brugghen (Dutch, 1588-1629)LinkedCulture matchlcp-4a58f5f6fc3b
- Date
- c. 1626
- Medium
- Oil on canvas
- Culture
- Netherlands
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
- Object ID
- 30901
From the Art Institute of Chicago record
For this depiction of Peter denying that he is a follower of Jesus (seen under arrest in the background at right), Utrecht artist Hendrick ter Brugghen embraced the strong contrast of light and shadow and emotional urgency popularized by Italian painter Caravaggio. The dancing sparks of the fire illuminate the servant’s condemnatory finger and shroud the fearful saint in shadow, underlining the Dutch taste for naturalistic treatments of lighting in the 17th century.
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Provenance & credit
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- Credit line
- Charles H. and Mary F. S. Worcester Collection
- Provenance
- Reedtz-Thott collection, Guanø Castle near Næstved, Denmark, by ca. 1750 [according to letter from Baron Otto Reedtz-Thott dated July 26, 2004 in curatorial file]; Baron Kjeld Thor Tage Otto Reedtz -Thott (died 1923), 2nd Baron Guanø, Guanø Castle, Denmark by at least 1914; by decent to Baron Axel Reedtz-Thott, Guanø Castle, Denmark; sold by him to a London dealer in the late 1960’s [according to the letter from his son, Baron Otto Reedtz-Thott, cited above]. Wildenstein and Company, New York, by 1968; sold to the Art Institute in 1969.
Linked open data
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- Object type
- AAT300033618
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