Tapestry

Art Institute of Chicago

Tapestry

HungarianLinkedCulture matchlcp-312c1b3f9ece

Date
1904/1914
Medium
Wool, silk, and metal-strip-wrapped threads, tapestry weave
Culture
Hungary
Department
Textiles
Institution
Art Institute of Chicago
Object ID
37107

From the Art Institute of Chicago record

This tapestry evokes fifteenth- and sixteenth-century European art and design, even though it was made centuries later. Resplendent in a gown and sitting atop a powerful horse, the crowned figure proudly carries a falcon. The fashionable hunting scene is set in a simplified millefleur (thousand flowers) design. This combination was a popular tapestry style during the late medieval period. The pairing of the detail in the patterning of the dress with the angularity of the forms is typical of tapestries designed and made at the Gödölló School of Weaving. The GödölIó Workshops, which included the weaving school, were established in the early twentieth century just north of Budapest. There, artists designed and made a great variety of decorative arts objects in hopes of establishing a Hungarian national aesthetic. They incorporated medieval elements in their modern designs to demonstrate their country's strong and vibrant heritage.

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Provenance & credit

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Credit line
Gift of Mrs. Leigh B. Block
Provenance
Mrs. Leigh B. Block (also Mary Block, born Mary Lasker Foreman; 1904–1981), Chicago, by Oct. 26, 1971 [incoming receipt RX8309, Oct. 26, 1971; copy in curatorial object file]; given to the Art Institute of Chicago, 1971.

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Object type
AAT300014063

Part of a LinkedCulture topic

  • Representative object from the topic 18th-Century French Decorative Arts
    18th-Century French Decorative Arts

    These objects represent the luxury decorative traditions of 18th-century France, unified by their use of refined materials (tapestry weave, Savonnerie knotted pile, carved wood), classical themes (Ovid's Metamorphoses, S

    48 objects from 5 institutions

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