Art Institute of Chicago
Tapestry
HungarianLinkedCulture matchlcp-312c1b3f9ece
- Date
- 1904/1914
- Medium
- Wool, silk, and metal-strip-wrapped threads, tapestry weave
- Culture
- Hungary
- Department
- Textiles
- Institution
- Art Institute of Chicago
- Object ID
- 37107
From the Art Institute of Chicago record
This tapestry evokes fifteenth- and sixteenth-century European art and design, even though it was made centuries later. Resplendent in a gown and sitting atop a powerful horse, the crowned figure proudly carries a falcon. The fashionable hunting scene is set in a simplified millefleur (thousand flowers) design. This combination was a popular tapestry style during the late medieval period. The pairing of the detail in the patterning of the dress with the angularity of the forms is typical of tapestries designed and made at the Gödölló School of Weaving. The GödölIó Workshops, which included the weaving school, were established in the early twentieth century just north of Budapest. There, artists designed and made a great variety of decorative arts objects in hopes of establishing a Hungarian national aesthetic. They incorporated medieval elements in their modern designs to demonstrate their country's strong and vibrant heritage.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of Mrs. Leigh B. Block
- Provenance
- Mrs. Leigh B. Block (also Mary Block, born Mary Lasker Foreman; 1904–1981), Chicago, by Oct. 26, 1971 [incoming receipt RX8309, Oct. 26, 1971; copy in curatorial object file]; given to the Art Institute of Chicago, 1971.
Linked open data
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- Object type
- AAT300014063
Part of a LinkedCulture topic
18th-Century French Decorative ArtsThese objects represent the luxury decorative traditions of 18th-century France, unified by their use of refined materials (tapestry weave, Savonnerie knotted pile, carved wood), classical themes (Ovid's Metamorphoses, S
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