Art Institute of Chicago
Incense Burner in the Form of a Duck
ChinaLinkedCulture matchlcp-777a05c2acea
- Date
- Song dynasty (960–1279), 12th century
- Medium
- Qingbai ware; porcelain with underglaze molded and carved decoration
- Culture
- China
- Department
- Arts of Asia
- Institution
- Art Institute of Chicago
- Object ID
- 43060
From the Art Institute of Chicago record
In its subtle elegance, this incense burner reflects the refined sensibility of Song dynasty China’s cultural elite—members of the imperial court as well as newly affluent and well-educated classes of merchants and government officials. The basin of this incense burner, elevated on a lobed foot, contains an artichokelike lotus that opens into two tiers of small, pointed petals and supports a delicately carved waterfowl. Fragrant smoke would have wafted gently from the bird’s mouth and from two holes perforated between its feet. As Song poets and painters praised incense for its efficacy in dissipating gloom and stimulating artistic creativity, connoisseurs treasured its accoutrements as luxurious domestic furnishings. Pieces displaying the extraordinary quality of this incense burner are attributed to the kilns at Jingdezhen in southeastern Jiangxi province, which later became China’s preeminent center for ceramic production.
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Provenance & credit
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- Credit line
- Gift of Russell Tyson
Linked open data
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- Object type
- AAT300193015
Part of a LinkedCulture topic
Incense Burners Across CulturesThese objects are all incense burners or censers used for burning fragrant materials in religious, ceremonial, or domestic contexts across Chinese, Coptic, and European cultures spanning multiple dynasties and periods.
56 objects from 3 institutions
Related across collections
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