The Actor Arashi Sangoro II as Minamoto no Yoritomo in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770

The Actors Arashi Sangoro II as Minamoto no Yoritomo (right), Segawa Kikunojo II as Yuki Onna (center), and Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki, in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770

Art Institute of Chicago

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Actors Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki (Left), Segawa Kikunojô II as Yuki Onna (Center), and Arashi Sangorô II as Minamoto no Yoritomo (Right) in “Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums” (“Miyoto-giku Izu no kisewata”)

Art Institute of Chicago

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Actors Arashi Sangorô II asMinamoto no Yoritomo and Segawa Kikunojô II as the Snow Woman in “Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums” (“Myôto- giku Izu no Kisewata”)

Art Institute of Chicago

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The Actor Segawa Kikunojo II as Yuki Onna (the Snow Woman) in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month

Art Institute of Chicago

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The Actor Segawa Kikunojo II as the Heron Maiden in the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770

Art Institute of Chicago

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The Actors Ichimura Uzaemon IX as the footman Gunsuke and Sakata Sajuro I as Yamaga no Sashiro in the play "Iro Jogo Mitsugumi Soga," performed at the Ichimura Theater in the first month, 1765

Art Institute of Chicago

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The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left) and Nakamura Tomijuro I as a Female Fox Disguised as the Beancake Peddler Hyugaya, in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Kitsune (Heavenly Child - The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777

Art Institute of Chicago

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The Actors Ichikawa Komazo II as Minamoto no Yorimasa (right), Matsumoto Koshiro II as Osada no Taro Kagemune Disguised as Yatsurugi Zaemon (center), and Ichikawa Danzo III as I no Hayata Tadazumi (left), In the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770

Art Institute of Chicago

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The Actors Ichikawa Monnosuke II and Segawa Kikunojo III as the Lovers Seijuro (right) and Onatsu (left), in the Elopement Scene "Michiyuki Hiyoku no Kiku-cho" (An Elopemet: Chrysanthemum-and-Butterfly Lovebirds), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

Art Institute of Chicago

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The Actor Nakamura Sukegoro II as the Sumo Wrestler Matano no Goro in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770

Art Institute of Chicago

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The Actors Sanogawa Ichimatsu I as Minamoto no Yorimasa and Segawa Kikujiro I as Nobutsura's wife Karumo in the play "Shusse Momijigari," performed at the Ichimura Theater in the eleventh month, 1747

Art Institute of Chicago

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The Actors Nakamura Sukegoro II as Matano no Goro (right), Onoe Kikugoro I as Soga no Taro (center), and Otani Hiroji III as Kawazu no Saburo (left), in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770

Art Institute of Chicago

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