Art Institute of Chicago

The Infants Jesus Christ and Saint John the Baptist Embracing

Joos van Cleve (Netherlandish, Active by 1507–1540/41)LinkedCulture matchlcp-7ece95a8e71b

Date: 1520–25
Medium: Oil on panel
Culture: Holland
Department: Painting and Sculpture of Europe
Institution: Art Institute of Chicago
Object ID: 48532

From the Art Institute of Chicago record

Joos van Cleve sold many versions of this painting to an international clientele eager for luxury goods. To suit the taste of his customers, Van Cleve learned to adapt the ideal forms of the Italian Renaissance to a Northern European context. Here, the poses and modeling of the intertwined children are indebted to the Italian painter Leonardo da Vinci, while the elaborate metalwork accents and costly materials comprising the architec- ture are characteristic of Northern European art. This particular painting includes the arms of its first owner— Pompejus Occo, the Amsterdam representative of the powerful German banking firm of Fugger—along the upper edge.

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Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line: Charles H. and Mary F. S. Worcester Collection
Provenance: Pompejus Occo (died 1537), Amsterdam. Spanish Art Gallery, London, 1949; sold to French and Co., New York, 1949 [according to Robert Samuels of French and Co., in conversation with Martha Wolff, March 31 and April 7, 1989]; sold to Ernest Joresco, Chicago, 1963 [according to Samuels, this took place on Dec. 21, 1963]; sold to the Art Institute, 1975.