Belly-Amphora (Storage Jar)

Art Institute of Chicago

Belly-Amphora (Storage Jar)

Attributed to the Painter of Berlin 1686 or the Painter of Tarquinia RC 3984LinkedCulture matchlcp-946fb63198e5

Date
550-540 BCE
Medium
terracotta, black-figure
Culture
Athens
Department
Arts of Greece, Rome, and Byzantium
Institution
Art Institute of Chicago
Object ID
52198

From the Art Institute of Chicago record

Ancient artists frequently depicted events from the life of the demigod Herakles, especially the Twelve Labors he had to complete to attain immortality. On this amphora (storage jar) the great hero completes his first assignment—to kill a lion with an invincible hide that was terrorizing the village of Nemea. Here the contest has been decided; Herakles strangles the lion, whose jaws he has pried open with his bare hands. To the right stand Athena and Hermes; on the other stand a nymph and Iolaos, Herakles’s nephew and companion. In subsequent episodes, Herakles often wears the lion’s pelt, either as a headdress or over his arm, as a protective cloak. These vases were used for the transport and storage of items such as wine and olives, and they were given as prizes in athletic competitions. Many vases have been damaged, either in antiquity or in modern times, and repaired. However, this amphora remains intact, with only a few losses, such as the chips on the rim, and some surface abrasion. The vivid white gloss that highlights the women’s skin and the shield is especially well preserved.

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Provenance & credit

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Credit line
Katherine K. Adler Memorial Fund
Provenance
Summa Galleries, Beverly Hills, by 1977 [according to a letter from Dietrich von Bothmer dated June 9, 1978, in curatorial object file]; Earl Keefer, Culver City, by 1978; sold to the Art Institute of Chicago, 1978.

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Object type
AAT300193015

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