Portrait of an Artist

Art Institute of Chicago

Portrait of an Artist

Artist unknown (French, active 18th century)LinkedCulture matchlcp-720adf61c688

Date
c. 1735
Medium
Oil on canvas
Culture
France
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
61741

From the Art Institute of Chicago record

Professional women artists were rare in the 1730s. The Royal Academy of Painting and Sculpture, which controlled artistic education and competitive art exhibitions called salons, was closed to women. Instead, artistic careers were traditionally limited to those born into families of artists, who could be trained by a male relative. The subject of this portrait probably belonged to such a clan. The presentation here emphasizes the sitter’s luxurious attire, including a swansdown scarf and a damask morning gown, as well as her vocation: she sits confidently before her easel, her palette in hand.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.-_N2tGKYsOq3ZD66.gmJReIv0XMI0QxhbRRlpwkai79N8-4pGrs0mbQOTiAJ_KHJtNJDXn85_2gEcKzhm96mVWT2864rVBA-Abvxua2yLH_TQj5MYqraxhFAVa_mB7hrSW_JNAP3qTDz45pjVwv4NofWy6JigppEs2UF8cmmN2k3vrkMZzIBbX0FMacc6LxvJX4l-o1By8Fv32PcFdUKvVcJ3KsGlW6GiHI2PCy4aDiATNMBapEyMlq0XdLjsVJG1rMHjyVjeB4dChkaXiFPlNcur-VGLn6JWJiFdkUM0See at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.sSGyJ_vrpaJyVTRX.xLbB3HIEMQgOVT-ajZSe4gnhPV2YahhVRh3XlXrME7NuPAJaZd38Grs6xAG_ePGAcyUyAXpkPdD0SWDWIpzADZ_DdJwR5i4lG1rsbbzoxM-40ULRqqk-RieKGjIuuz-i_zCT2dF3ETOM5SMA-nYviPSbWXcOWHjSR4KhxISSFyt_zpw77qtWJoqiVO1A8PLKrAnxPVru4CazLxhwhqOSZJ_4ylw9A7ZW8pEj3GGy0P7if5jpD46QD8aHXpgPxFgqO46dzRMx5j8Sm8pUUY09zg
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Purchased with funds provided by Mrs. Harold T. Martin in honor of Patrice Marandel
Provenance
By descent in the Dumont family of artists; Augustin Alexandre Dumont (1801-1884); at his death to Mme Leo Ginain, his first wife; by descent to her son-in-law, Dr. E. Audard, Paris [Doria 1929; letter of December 11, 1981, from Daniel Wildenstein to Susan Wise in curatorial file, and Copenhagen, 1935]; sold by Audard to Wildenstein, 1925 [see Wildenstein letter cited above]; Wildenstein, Paris, to at least 1935 [Wildenstein lent the painting to Copenhagen 1935]. Virginia M. (Mrs. Moritz) Rosenthal (died 1945), New York, by 1942; sold Parke-Bernet, New York, April 13–14, 1945, no. 202 (ill.), as Carle Vanloo, Anne Coypel, for $7, 500 [Rosenthal lent the painting to New York 1942; the price in 1945 is recorded in an annotated sale catalogue at the Art Institute]. Sold Christie’s, London, June 29, 1973, no. 14 (ill.), as Carle Vanloo, Portrait of a Lady Artist Said to Be Madame Coypel, to LeJeune [according to Christie’s price list]. Sold Christie’s London, May 3, 1974, no. 71, as Carle Vanloo, Portrait of a Lady Artist Said to Be Madame Coypel, to Anton [according to Christie’s price list]. Sold Palais Galliera, Paris, June 7, 1974, no. C (ill.), as Carle Vanloo. Galerie Heim, Paris, by 1975 [Paris, 1975]; sold to the Art Institute, 1981.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300033618

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.