Art Institute of Chicago
Five O'Clock, plate seven from Intimacies
Félix Edouard Vallotton (French, born Switzerland, 1865-1925)LinkedCulture matchlcp-2bcd58e9ab9e
- Date
- 1898
- Medium
- Woodcut in black on cream wove paper
- Culture
- France
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 62164
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of the Print and Drawing Club
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Money, plate five from Intimacies
Art Institute of Chicago
#62162
Venus, plate five from The Seven Planets with the Zodiacs
Art Institute of Chicago
#184996
Plate 7: Two noblemen seated in center, seen from behind, conversing with a noblewoman seated between them, a noblewoman and man seated to left in background and standing to right in background, from "Various Figures" (Agréable diversité de figures)
The Metropolitan Museum of Art
#409968
Getting Ready for a Visit, plate eight from Intimacies
Art Institute of Chicago
#62165
She was More Beautiful Than Dreams, plate seven from Love
Art Institute of Chicago
#117215
The Cogent Reason, plate four from Intimacies
Art Institute of Chicago
#121977
Plate Five, from Five Wise and Five Foolish Virgins
Art Institute of Chicago
#40162
Plates four, five, and six from A Harlot's Progress
Art Institute of Chicago
#60032
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)
The Metropolitan Museum of Art
#397484
Extreme Measure, plate six from Intimacies
Art Institute of Chicago
#62163
The Knight Did Not Die at the Crusade, plate five from Love
Art Institute of Chicago
#117211
Plates 5-7, from Nella Venuta
Art Institute of Chicago
#230222