Art Institute of Chicago
The Frontispiece to Liber Studiorum
Joseph Mallord William Turner (English, 1775-1851)LinkedCulture matchlcp-ecc9cea69b86
- Date
- Published May 23, 1812
- Medium
- Mezzotint and etching in brown on ivory wove paper
- Culture
- England
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 71636
From the Art Institute of Chicago record
J. M. W. Turner’s paintings epitomized the sublime, a sense of awe-inspiring beauty beyond simple loveliness. His evocative etching and mezzotint print series, the Liber Studiorum (1807–19), was just as influential. Printed in sepia lines and tonal areas evoking Old Master drawing ink and modeling, Turner’s series of 71 prints is an extended ode to the landscape. The letters above each work designate the subject type, including architectural (A), pastoral (P) and elevated pastoral (EP), and historical (H), marine (M), and mountainous (M). Turner’s exhaustive categories inspired John Constable to produce a further-specialized mezzotint series of 22 English landscapes.
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Provenance & credit
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- Credit line
- The Joseph Brooks Fair Collection
Linked open data
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- Object type
- AAT300041273
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