Art Institute of Chicago
The Small Woodcut Passion
Albrecht DürerLinkedCulture matchlcp-6cf5b58b91f0
- Date
- 1511
- Medium
- Woodcut and letterpress in black, with additions in pen and brown ink on cream laid paper, in modern full red calfskin, sewn on raised bands, with blind fillets around inner-edges of boards, blind lines and gold titling on the spine, and hand-sewn silk headbands
- Culture
- Germany
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 75052
From the Art Institute of Chicago record
Opposite Dürer’s woodcut The Crucifixion (folio C viii verso), a sixteenth-century viewer honed in on this sacred event. He inscribed several lines personalizing his experience of the print below the monk Benedict Cheledonius’s text, where there was room: In Cruce pendentem / rogo te Deum omnipotentem / ut mihi des mentem / te semper amare volentem (I ask you, omnipotent God, hanging on the Cross, that you grant me a mind wishing always to love you). This seems like an intimately pious, original outburst, as it addresses Christ directly, but it actually quotes a well-known Latin prayer from the Hours of the Cross.
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Provenance & credit
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- Credit line
- Clarence Buckingham Collection
Linked open data
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- Object type
- AAT300028051
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