Self-Portrait in a Fur Cap

From the Art Institute of Chicago record

Joseph Wright, a leading artist of the eighteenth century, spent most of his life in the central Midlands town of Derby, where he ran a successful portrait-painting practice. His best work in this vein portrays solid middle-class citizens, much like himself, with a keen perceptiveness of both character and physical appearance. Throughout his career, Wright was preoccupied with the evocative effects of light, specifically those produced by a single light source such as a candle, and the resulting play of shadows. Influenced by the powerful chiaroscuro of the superb mezzotints of Thomas Frye, a contemporary printmaker, Wright produced a number of dramatically lit self-portraits in oil, charcoal, and black-and-white pastel during the mid-1760s. Depicting himself in nocturnal lighting, wearing an exotic black hat, the artist evoked a time-honored tradition in portraiture: the deeply pensive artist who confronts himself and the viewer with a quiet challenge. Wright later ventured into landscape and genre subjects, the most original of which are concerned with the exploration of light phenomena. Portrait commissions continued to be a reliable source of income throughout his career.