Art Institute of Chicago
Wooded Landscape with Donkeys and Goats, and Castle on Hill in Distance
After Pieter Bruegel, the elderLinkedCulture matchlcp-5a61a43b62ae
- Date
- n.d.
- Medium
- Pen and brown ink on cream laid paper
- Culture
- Flanders
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 84070
From the Art Institute of Chicago record
This drawing belongs to a group of some 20 similar sheets that record compositions by Pieter Bruegel the Elder (most of which are now lost). Far from direct observation, they are inventions that use landscape motifs for imaginative purposes. Because of the relative novelty of landscape compositions as independent of narrative or devotional subjects, Bruegel’s landscape drawings provided new inspiration for the artists who had access to his works. As such, drawings made after his compositions not only attest to Bruegel’s influence in the rise of landscape as a distinct genre of artistic expression, they also record some of his compositions that would otherwise be unknown.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- The Leonora Hall Gurley Memorial Collection
- Provenance
- Joseph van Haecken (c. 1699–1749), London [stamp (Lugt 2516), recto, lower left, in black]. John Jacob Lindman (1854–1926), Chicago [stamp (Lugt 1479a), recto, lower right, in black]. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower center, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center, in black].
Linked open data
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- Object type
- AAT300033973
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