Stater (Coin) Depicting the Goddess Kore

Art Institute of Chicago

Stater (Coin) Depicting the Goddess Kore

Greek, minted in Metapontum, ItalyLinkedCulture matchlcp-424b4526d5c9

Date
330-300 BCE
Medium
Silver
Culture
Metaponto
Department
Arts of Greece, Rome, and Byzantium
Institution
Art Institute of Chicago
Object ID
96055

From the Art Institute of Chicago record

The front (obverse) of this coin depicts the head of the goddess Kore, crowned with grain, and facing to the right. On the back (reverse), an ear of grain is shown. The use of coins as a form of money was invented in western Asia Minor in the early 7th century BCE. At the time this coin was struck, Greece was made up of separate city-states that issued their own currency. Made of gold, silver, bronze, and electrum (a gold-silver alloy), coins were literally worth their weight, but their value varied according to the percentage of their precious metal content. Occasionally a city needed more money than it had in reserves. By reducing the amount of precious metal and substituting a base metal, a coin could be produced of the same weight but no longer of the same value. Some currency was only honored within its own city walls, but trustworthy money encouraged trade. Athens had the biggest economy, and its coin became the standard in the Greek world. The population was largely illiterate, but it could identify the place of origin of a coin by its imagery. Many of these images referred to myths that were associated with the history of the community and thus were well known to the populace from religious ceremonies and theatrical entertainment. The story of a city’s founding, a local hero, the city’s guardian deity, and even the reason for the city’s wealth were subjects for a coin’s insignia. Cities that excelled in a particular field often chose a symbol to illustrate the source of their power and wealth. Metapontum became wealthy through farming rather than trade. By illustrating the ear of grain on its coins, the city-state reminded its trading partners of its agricultural abundance.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.boJGWQ7Zxv85iMmM.ni_JwwPOOKHu6eRnDkpjR220Nnl6b6-WJ0HyYe9JmKtpeixizg2lKBl58pcLYApOag1N8AxsHDlU0-urXoZK12ZDpwWg7QIw7HbE8d5H4mLiVCtp0KCCAI7brt1dCvIzTPVXxAAtM6b7N3ln59PTa32H0r2PKqXMQOITJDglU8QPbMie-hpUGWdHAitpeQTt1CoJtjSR81iE_y2wvC5K2mW2beafDY_1KW-UkMNoXzy9cBFu4oSM1GGwa_xdzYoARY_8A3tniryYv48ZBhyMz5zNSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.qygdUX8zdHIZpSrT.yzqWFDvjvsh9ZIknxqUb92K5Wvaa3Y842Tvv6lPSfEjd883tvwu6iC32gnJD58_LN_nJ_qOJaNxD9mg3C1NiSyHf-SvDAPhpthaR9jDMIBLpO0v9MUfGmZ1WtREjR1FA1faX3TSkjEize9NwqNIfCTPDQALyOvkMwy7lo4-aPWhTgnm9lEI4gq-RRICHWB8EGU3_vSkPR0n6gRbNzjNJN5x9NkUslYLORa3yYiIBgGP-wrKvKoeDd1DpsPaj-04c8XA5jtYF-04-vc6bfyN1kw
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Gift of Martin A. Ryerson
Provenance
Martin A. Ryerson (1856-1932), Chicago; given to the Art Institute of Chicago, 1922.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300037334

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.