Art Institute of Chicago
Stater (Coin) Depicting the Goddess Kore
Greek, minted in Metapontum, ItalyLinkedCulture matchlcp-424b4526d5c9
- Date
- 330-300 BCE
- Medium
- Silver
- Culture
- Metaponto
- Department
- Arts of Greece, Rome, and Byzantium
- Institution
- Art Institute of Chicago
- Object ID
- 96055
From the Art Institute of Chicago record
The front (obverse) of this coin depicts the head of the goddess Kore, crowned with grain, and facing to the right. On the back (reverse), an ear of grain is shown. The use of coins as a form of money was invented in western Asia Minor in the early 7th century BCE. At the time this coin was struck, Greece was made up of separate city-states that issued their own currency. Made of gold, silver, bronze, and electrum (a gold-silver alloy), coins were literally worth their weight, but their value varied according to the percentage of their precious metal content. Occasionally a city needed more money than it had in reserves. By reducing the amount of precious metal and substituting a base metal, a coin could be produced of the same weight but no longer of the same value. Some currency was only honored within its own city walls, but trustworthy money encouraged trade. Athens had the biggest economy, and its coin became the standard in the Greek world. The population was largely illiterate, but it could identify the place of origin of a coin by its imagery. Many of these images referred to myths that were associated with the history of the community and thus were well known to the populace from religious ceremonies and theatrical entertainment. The story of a city’s founding, a local hero, the city’s guardian deity, and even the reason for the city’s wealth were subjects for a coin’s insignia. Cities that excelled in a particular field often chose a symbol to illustrate the source of their power and wealth. Metapontum became wealthy through farming rather than trade. By illustrating the ear of grain on its coins, the city-state reminded its trading partners of its agricultural abundance.
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Provenance & credit
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- Credit line
- Gift of Martin A. Ryerson
- Provenance
- Martin A. Ryerson (1856-1932), Chicago; given to the Art Institute of Chicago, 1922.
Linked open data
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- Object type
- AAT300037334
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