Monstrance with the "Paten of Saint Bernward"

Cleveland Museum of Art

Monstrance with the "Paten of Saint Bernward"

Saint Oswald Reliquary WorkshopLinkedCulture matchlcp-818bb43c8a10

Date
c. 1180–1190
Medium
silver, gilded silver, niello, rock crystal
Culture
paten: Germany, Lower Saxony, Hildesheim; monstrance: Germany, Lower Saxony, Brunswick, Gothic period, paten: 12th century; monstrance: 14th century
Department
Medieval Art
Institution
Cleveland Museum of Art
Object ID
112022

From the Cleveland Museum of Art record

Designed to facilitate the display and veneration of ten relics, this sumptuous ostensorium (from the Latin ostendere, meaning "to show") is one of the most unusual reliquaries in the Guelph Treasure. Elements of contemporary Gothic architecture in miniature frame an elaborately decorated liturgical paten, the shallow disc or plate used for the elevation of the Eucharist during Mass. Fragments of the True Cross are enclosed behind a rock crystal in the gable, while other saintly relics, each wrapped in silk and identified by inscriptions, are visible only from the back. The paten is inscribed on its outer rim with the words "The bread which is broken in me is the body itself. He who receives it in good faith shall live in eternity." Another inscription surrounding the image of the enthroned Christ at the paten's center, reads, "Behold, o men, I have thus redeemed you with my death." Symbols of the four Evangelists and personifications of the four cardinal virtues complete the paten's iconographic program.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.7n5Gz7Y7yxxlZQgk.02yBkhm_eQAjlGEK2a8h6TbRDqsnKLyMdqAqESYrm2h2yyPb557E9MaKW-_yOGmKR_4-2s0HUzS_taX8mqiJieUA00Qb9LeJPEMjl_vgKCUmj6pV7Ne5ax3WQKKWuG5Pd2IXrKFOPsqFboY6aHYOVNGcLGMtL2v5K9gAS-AyYqtZANTAMOfH1BZnk7aEcLt8aB8D25kOBzvAvg_Jgkiidqmq8dUOHkTQmSCrxmUj5CQuDpt1zs8wgVXyfg--1XAkAYgMstwMDKj-8y_r2awW8fhC6ZoFYrmFgLLeW9KJcQsPb2LdbgSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.wccYeC5AIITDWVF4.PbCjb-ooACFPq60zZmAsn2Ec_Ff9KtCI-OdgIXthiLeUhCFT2-Fwug9YQ41Rh7qNhWHTbdVmx4-asgAPfwDony77lmUMOh9Fs9EG7nBzXZBcLJNaYEU96CfvMNQZA9wDi2HmFo939DE9CH2kcmzaM-D-H-sHcDYSz3AU-rsjpFTvaNn0YQc59pUlBkDRO_KRsaYyQGEFw08oPKG2gtuQCLGKeMwAEKC1wpG3eFJX0c_YPxE0ohxDiXfEvZja1ZoXTJ_mxcOsg9xAlTIaLmjW8NMO6nU5X8hlpvdaFwXdHw
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Purchase from the J. H. Wade Fund with additional gift from Mrs. R. Henry Norweb
Provenance
Treasury, Cathedral of St. Blaise, Brunswick; House of Brunswick-Lüneburg; (Goldschmidt Galleries, New York).

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.