
Cleveland Museum of Art
Christ as the Man of Sorrows between the Virgin and St. John
Martin SchongauerLinkedCulture matchlcp-a6ab91b43bd5
- Date
- 1470–75
- Medium
- engraving
- Culture
- Germany
- Department
- Prints
- Institution
- Cleveland Museum of Art
- Object ID
- 118662
From the Cleveland Museum of Art record
Prints of the Man of Sorrow were widely widespread in Northern Europe after the mid-15th century. The image portrays Christ naked above the waist, wearing the crown of thorns, and displaying the wounds of the Passion marking his hands and side. The Virgin Mary and Saint John the Evangelist flank Christ and mourn his death. Images like these functioned as devotional tools meant to help the faithful to meditate on the Lord's suffering. By showing Christ's hand over his chest and the Virgin's hand on his side, he focused the viewer's attention on Christ's wounds. Similarly, Saint John's compassionate gaze provides a model of empathy for the beholder. The Virgin's garment gently intrudes into the space of the viewer, as if to invite the beholder to participate more closely in this scene of compassion.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Dudley P. Allen Fund
- Provenance
- with Richard H. Zinser, New York | 1939: Purchased by the Cleveland Museum of Art, Cleveland, OH
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