Portrait of a Woman

Cleveland Museum of Art

Portrait of a Woman

Gerard ter BorchLinkedCulture matchlcp-260945127712

Date
c. 1665
Medium
oil on canvas
Culture
Netherlands
Department
European Painting and Sculpture
Institution
Cleveland Museum of Art
Object ID
124092

From the Cleveland Museum of Art record

Every detail of his subject’s elaborate costume is skillfully recorded: glittering jewels, filmy lace, knots of ribbons, heavy black silk, and shimmering white satin. The ability to recreate satin’s luster was Gerard ter Borch’s particular trademark: he used fine flicks and sweeps of the brush, occasionally adding and wiping away tiny bits of paint to make the white fabric appear to shine. Ter Borch offset the profusion of costume detail by deliberately isolating the figure within a spare setting, allowing us to appreciate the woman’s cool composure. Although her identity is not known, she was undoubtedly a member of the wealthy Dutch elite. The pair to this painting (in the National Gallery, London), depicts a man in equally fashionable dress.

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Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
The Elisabeth Severance Prentiss Collection
Provenance
(presumably) Jan Jacob [Jean-Jacques de] Faesch [1755-1831], Amsterdam) | 1833: (de Vries … Roos, Amsterdam, sale Jean-Jacques de Jean-Jacques de Faesch, July 3, 1833, no. 56 [“Een prachtig gekleed Dame, staande bij een tafel en stoel, beide met rood bekleedsel”, canvas, 6p 3d x 5p 1d; fl. 90, to Chaplin or Chaplen or Chapplaen]) | 1877: F. Austen, London | [M. Knoedler & Co., New York]; | by 1923: Elisabeth Severance Prentiss, Cleveland, 1923, by bequest to the Cleveland Museum of Art, 1944.

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