
Cleveland Museum of Art
Birds and Flowers
Kano MitsunobuLinkedCulture matchlcp-8727c8980f36
- Date
- late 1500s
- Medium
- One of a pair of six-panel folding screens; ink, color, and gold on paper
- Culture
- Japan, Momoyama period (1573–1615)
- Department
- Japanese Art
- Institution
- Cleveland Museum of Art
- Object ID
- 125886
From the Cleveland Museum of Art record
The landscape depicted in this pair of screens follows a seasonal progression from right to left, starting with the blossoming plum of early spring and ending with late autumn peonies. A variety of smaller birds are positioned throughout the scene, and a trio of swimming ducks is bracketed by early summer irises and early autumn bellflowers at the center. While some raptors (birds of prey) terrorize a pheasant and an egret (a waterfowl) to the right, a peacock and peahen converse to the left. Hawks are associated with military prowess, while the peafowl suggest cultural prestige. As masters of the Kano academic painting style, both Kano Shōei and Kano Mitsunobu favored Chinese-inspired subject matter, such as birds and flowers.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of William G. Mather
- Provenance
- ?–1948: William G. Mather [1857–1951], Cleveland, OH, given to the Cleveland Museum of Art | 1948–: The Cleveland Museum of Art, Cleveland, OH
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