The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

Cleveland Museum of Art

The guard spares the life of the slave when he learns that he is the son of the princess of the Rum, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art
Object ID
137829

From the Cleveland Museum of Art record

The king, mistakenly believing that the princess’s secret son is her lover, orders him to be executed. The young man is shown with hands bound and long hair in disarray; his unraveled turban lies on the ground at his side. Just before the guard can behead him, the princess’s son reveals his true identity, and his life is spared. The guard hides the princess’s son and does not reveal his identity to the king.

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Provenance & credit

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Credit line
Gift of Mrs. A. Dean Perry
Provenance
?–1959: Estate of Breckinridge Long [1881–1958], Bowie, MD | 1959–1962?: (Harry Burke Antiques, Philadelphia, PA) | 1959?–1962: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) | 1962–: The Cleveland Museum of Art, Cleveland, OH

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