The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot)

Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot)

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art
Object ID
137909

From the Cleveland Museum of Art record

On the eighth night, the parrot tells Khujasta a story—the most lavishly illustrated of all the chapters in the book—that has important parallels with the experiences of Emperor Akbar himself. The overarching tale is about a prince who maintained a vow of silence despite being imprisoned and taken to be executed on seven consecutive days. Each day, the king was convinced to stop the execution after hearing a story told by one of his seven viziers, or ministers. The adjacent paintings illustrate scenes from the overarching tale as well as the fifth vizier's story. The golden sky, purple hills, cyprus tree, and flowering branches are elements learned from Persian painting. Indian sources contributed the bolster that appears to float on the suggestively red-colored plane of the bed. Banavari 1 also painted folios 49v (1962.279.49.b), 50v (1962.279.50.b), and 52v (1962.279.52.b).

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Provenance & credit

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Credit line
Gift of Mrs. A. Dean Perry
Provenance
?–1959: Estate of Breckinridge Long [1881–1958], Bowie, MD | 1959–1962?: (Harry Burke Antiques, Philadelphia, PA) | 1959?–1962: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) | 1962–: The Cleveland Museum of Art, Cleveland, OH

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