Cleveland Museum of Art

The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Tara 2LinkedCulture matchlcp-23cc322c5510

Date: c. 1560
Medium: gum tempera, ink, and gold on paper
Culture: Mughal India, court of Akbar (reigned 1556–1605)
Department: Indian and Southeast Asian Art
Institution: Cleveland Museum of Art
Object ID: 137935

From the Cleveland Museum of Art record

Above, the enthroned king hears the appeal of the distressed handmaiden. Below, the bound and kneeling prince awaits his execution. Although the prince has been falsely accused of assaulting the handmaiden, he has taken a temporary vow of silence and is unable to defend himself. A vizier will stall the execution with a story about the dangers of women. Two painters named Tara are known from the Akbar period.

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Provenance & credit

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Credit line: Gift of Mrs. A. Dean Perry
Provenance: ?–1959: Estate of Breckinridge Long [1881–1958], Bowie, MD | 1959–1962?: (Harry Burke Antiques, Philadelphia, PA) | 1959?–1962: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) | 1962–: The Cleveland Museum of Art, Cleveland, OH

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