
Cleveland Museum of Art
The Abduction on a Unicorn
Albrecht DürerLinkedCulture matchlcp-91cf98b472c5
- Date
- 1516
- Medium
- etching
- Culture
- Germany
- Department
- Prints
- Institution
- Cleveland Museum of Art
- Object ID
- 139690
From LinkedCulture
Albrecht Dürer took the unicorn, a symbol of purity, and turned it into an instrument of terror. In this 1516 German etching, a struggling nude woman throws one arm upward in desperate resistance as a powerful male figure carries her off on a dark unicorn with a jagged horn and cloven hoofs, all beneath a sky churning with heavy clouds. Unlike his other abduction prints, this scene resists any clear mythological label, leaving it closer to nightmare than classical story.
Written by LinkedCulture for its video on this object. Machine-generated (claude-sonnet-4-6), not yet reviewed by a person. It is not part of the museum’s record.
From the Cleveland Museum of Art record
The volatile mood of this etching starkly contrasts with the abduction scene in Dürer’s Sea Monster. Here, a woman struggles against her male captor as he carries her away on a menacing unicorn with a jagged horn and cloven hoofs. Although unicorns were generally associated with purity, medieval texts also identified the mythical creature as a symbol of evil or death. As with Dürer’s other puzzling scenes of women, scholars have attempted to identify these figures in relationship to classical mythology, in this instance Pluto and Proserpina. This characterization remains vague however; the ominous cloudy sky and savage nature of the event suggests far more sinister circumstances.
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Provenance & credit
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- Credit line
- John L. Severance Fund
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