Bamboo, Rocks and Lonely Orchids

Cleveland Museum of Art

Bamboo, Rocks and Lonely Orchids

Zhao MengfuLinkedCulture matchlcp-825fe3c4addb

Date
1271–1368
Medium
Handscroll; ink on paper
Culture
China, Yuan dynasty (1271-1368)
Department
Chinese Art
Institution
Cleveland Museum of Art
Object ID
139746

From the Cleveland Museum of Art record

Bamboo and orchids are motifs associated with the virtues of the scholar-official. Bamboo that bends but does not break stands for moral integrity, endurance, and loyalty. Wild, fragrant orchids that bloom in the shadow symbolize modesty and the aura of learnedness. Rocks are often considered to be miniature versions of mountains that form the universe. This monochrome ink painting is brushed on paper in a masterfully calligraphic manner. While the rocks are delineated in chalky, dry strokes showing the effect of flying white ( feibai ), the bamboo and orchids are drawn with a swift brush demonstrating the virtuosity of the artist. One of the many inscriptions records that the handscroll was last remounted by Xu Shudong 徐曙東 of Jiaxing 嘉興 in 1802.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.CkiVUUXWZdtBP7zb.SKTDLA3AYiSTB2uYqeOI9naqY00c8uQdCJMT-d-TN6FHZ6AWKMVg3UgB4dEk9v4AcoBi4MX7Lyeb1KFuqy37SEc0GfS0vd45AsBoVBFHWNhAZCptxoXMCAETwQV1ffKcmYRw3YdTi_XzubaUg8VIFJqF7zk4g9a9zdj47iwEr9vlpQH9Bn0vYBSK7c8ZW_4YojZV4B-_sKmfK9Q5unYNukuIpbfJRDWBsTXGdgiinE8M9iBw-piReSSjARrm9L1hZcFumzyOKiOpaTTSAY7s348GunBlRoiwiCiKkCsnuFC_YDvcSASee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.7gEGUl7F1nbOmsCh.-vr1-b_aPyVP9z3aBEfgo6oPI7cV1P48v-XnQu0gna41IwuAM_UiscX4KArEDUpCVsQAZNhpVPt0LuXBMnrj2FJvZ62ckrtfXhOtjszCyvQD-JT6zND-oNsRmoOJbhb7rRh2-IDIhheBbc1txgJVFmUfGhsBayW0FGLRnc4Gqn4aEQtBIoO3-WC3AOYZxXQoAr2esl752zBx8PpDSaYsiAbTwpULHJHL5OWkS9Eva1DEvC7_aFMZ9b0E4EsEJP2V6ssyCPl3E730o361rCoOhNSjdIPDRrm5LcjBIvcZoQ
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
John L. Severance Fund by exchange
Provenance
Gu Xin 顧信 [1279–1353] | Gu Ying 顧瑛 [1310–1369] | Mo Zhichong 莫至翀 [1400s] | Wu Ting 吳廷 [first half of 1600s] | Xu Shouhe 徐守和 [1600s] | Liang Qingbiao 梁清標 [1620–1691] | Tang Zuomei 唐作梅 [late 1700s–1800s] | ?–1963: (Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art) | 1963–: The Cleveland Museum of Art, Cleveland, OH

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.