Panel from a Triptych: The Archangel Michael

Cleveland Museum of Art

Panel from a Triptych: The Archangel Michael

Fra Filippo LippiLinkedCulture matchlcp-8c94332e18f0

Date
1458
Medium
tempera on wood panel
Culture
Italy, Florence
Department
Medieval Art
Institution
Cleveland Museum of Art
Object ID
140149

From the Cleveland Museum of Art record

These panels depicting Saints Anthony the Abbot and Michael originally flanked a central scene of the Madonna and Child with Angels, now lost, to form a triptych. Giovanni di Cosimo de’Medici of Florence commissioned the ensemble in 1457 as a gift to Alfonso V of Aragon. Fra Filippo Lippi, a Carmelite friar and one of the great masters of early Renaissance Florence, depicted realistic, weighty figures in a three-dimensional space using a system of linear perspective, inspired partly by Masaccio’s Brancacci Chapel, and reflected in the background architecture. Saint Anthony the Abbot rejected all earthly possessions in pursuit of a contemplative life in the desert. He is generally regarded as the founder of monasticism and is depicted wearing a monk’s habit. Saint Michael’s sword and shield refer to his role as heaven’s defender against evil.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.UeCIg_cBj3yqMXHu.nuPlQDuYdqRBEunJlhvKiA-WqGeqg2kgeHVqBxJV-zqjwOBit-pH2qdfdTcCg_BvLgcGf2yCmvXmHj91Pp4pOGWqMsSK9t5OzZimRGBuAiZ0WkQ4bmfVcv5XC13Kd8eB5pXs5WLsF1iaCNEYMGj3DHLrgqMsGmi_NLGMHeLpfcwoLON1Mj4Ue9aQbI2usJ1Al5Q1McJtcOzX4xrheA6E47NlTkrq86NqwCvbA4R8Vbs7CRF28ZO5lJSqnoOrA0c6Z73FIPKIbi4bahjaF1zg0y8LsHisCEM37LxV41DNSxYNks7soQSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.1Rr3UJ_8UBrKQ0y3.80lh6yjbyE21yhblW59UmY-Ny91GKbe-eeEN8sAqmir1nwAcrdFyCSLOga-HxojUz9XRZToQmx_Xwdux6F9WGEshOy6bXxv4sgkwR9XqLLxuz6110X49kBLGopIG7fG1cllDXjJSiVRylvFeUS8BfHZIkD1e1RCArxqoZpqp2upYHWt-k562IlflSvo5ypKEW-rWf3G5iMh0KuOD4PxlRt_9-gNgs_2PGKvtCuzxLM8JO8i0OL0v2oC1gDx-nm9GFWLHpEhxBo7cMoczQTxLwsRKp2yDNPok51blrPvg6zus
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Leonard C. Hanna Jr. Fund
Provenance
by 1457: Commissioned by Giovanni di Cosimo de' Medici, Florence, as a gift for King Alfonso V of Aragon (Alfonso I of Naples) | by 1458: Collection of King Alfonso V of Aragon (Alfonso I of Naples), Naples | by 1871: Collection of Countess Sara Pacheco, Madrid | 1871: Purchased by Sir John Charles Robinson, Madrid, for Sir Fancis Cook, Soughty House, Richmond, Surrey | By descent to Sir Frederick Cook, Sir Herbert Cook, and their heirs | by 1964: Rosenberg & Stiebel Inc., New York | 1964: The Cleveland Museum of Art

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.