
Cleveland Museum of Art
Panel from a Triptych: The Archangel Michael
Fra Filippo LippiLinkedCulture matchlcp-8c94332e18f0
- Date
- 1458
- Medium
- tempera on wood panel
- Culture
- Italy, Florence
- Department
- Medieval Art
- Institution
- Cleveland Museum of Art
- Object ID
- 140149
From the Cleveland Museum of Art record
These panels depicting Saints Anthony the Abbot and Michael originally flanked a central scene of the Madonna and Child with Angels, now lost, to form a triptych. Giovanni di Cosimo de’Medici of Florence commissioned the ensemble in 1457 as a gift to Alfonso V of Aragon. Fra Filippo Lippi, a Carmelite friar and one of the great masters of early Renaissance Florence, depicted realistic, weighty figures in a three-dimensional space using a system of linear perspective, inspired partly by Masaccio’s Brancacci Chapel, and reflected in the background architecture. Saint Anthony the Abbot rejected all earthly possessions in pursuit of a contemplative life in the desert. He is generally regarded as the founder of monasticism and is depicted wearing a monk’s habit. Saint Michael’s sword and shield refer to his role as heaven’s defender against evil.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Leonard C. Hanna Jr. Fund
- Provenance
- by 1457: Commissioned by Giovanni di Cosimo de' Medici, Florence, as a gift for King Alfonso V of Aragon (Alfonso I of Naples) | by 1458: Collection of King Alfonso V of Aragon (Alfonso I of Naples), Naples | by 1871: Collection of Countess Sara Pacheco, Madrid | 1871: Purchased by Sir John Charles Robinson, Madrid, for Sir Fancis Cook, Soughty House, Richmond, Surrey | By descent to Sir Frederick Cook, Sir Herbert Cook, and their heirs | by 1964: Rosenberg & Stiebel Inc., New York | 1964: The Cleveland Museum of Art
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