
Cleveland Museum of Art
Knight, Death, and the Devil
Albrecht DürerLinkedCulture matchlcp-91cf98b472c5
- Date
- 1513
- Medium
- engraving
- Culture
- Germany
- Department
- Prints
- Institution
- Cleveland Museum of Art
- Object ID
- 141637
From LinkedCulture
A knight in full plate armour rides through a shadowed gorge, eyes locked forward, refusing to acknowledge Death riding beside him - hourglass raised, its sands exactly half full. Behind him crowds a horned devil; beneath his horse's hooves, a skull. Albrecht Dürer created this engraving in 1513 using only a burin on copper, no colour, just line - achieving the sheen of metal and the texture of fur in one of the most technically demanding prints ever made.
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From the Cleveland Museum of Art record
In this tour de force engraving, considered one of his three greatest “masterworks,” Albrecht Dürer portrayed a mounted soldier who resolutely forges through a dark gorge, ignoring a horned devil in his path. Confronted by Death itself, crowned with snakes and holding an hourglass indicating mortality, the soldier and his faithful dog demonstrate the strength of righteousness required to stay upon the right path. The skull underfoot suggests that others have not been so resolute. Indeed, this road of life is full of obstacles, with the city on the hill accessible, it seems, only by way of treacherous peaks. The personification of Death in this image holds an hourglass whose sands are exactly half full, which may indicate a turning point in the rider's life choices.
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Provenance & credit
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- Credit line
- Elisabeth Severance Prentiss and Leonard C. Hanna Jr. Collections by exchange
- Provenance
- Prince of Liechtenstein, Feldsberg and Vienna, stamp (Lugt 4398), verso, lower left, in blue
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