Headdress (chi wara)

Cleveland Museum of Art

Headdress (chi wara)

Date
early to mid-1900s
Medium
Wood, cowrie shells, glass beads, possibly aluminum, iron alloy, upholstery studs, and natural fibers
Culture
Africa, West Africa, Mali, Bamana-style blacksmith-carver
Department
African Art
Institution
Cleveland Museum of Art
Object ID
141744

From the Cleveland Museum of Art record

Chi wara —a mythical “farming beast”—was said to teach farming to the Bamana people. Carved patterns cover this female chi wara’s body, highlighting its muscles and emphasizing that it is no earthly animal, but rather an agricultural spirit that combines human, antelope, and anteater elements. This example wears earrings and a nose ring of imported metals and beads. Its carver—a blacksmith—used a naturalistic style common south of the city of Bamako. Accompanied by women’s songs, male performers danced paired male-and-female chi wara headdresses affixed to basketry caps at agricultural competitions and weddings. Chi wara headdresses look different depending on the region they were made in. The style of this example tells us it was likely made in the Djitoumou region of southern Mali.

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Provenance & credit

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Credit line
Gift of Mrs. Ralph M. Coe in memory of Ralph M. Coe
Provenance
1954: (J.J. Klejman Gallery, New York, NY) | 1954-1965: Mrs. Ralph M. Coe [Dorothy deWolf Tracey, 1890-1966] Cleveland, OH, given to the Cleveland Museum of Art, Cleveland, OH | 1965-: The Cleveland Museum of Art, Cleveland, OH

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