Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit

Cleveland Museum of Art

Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit

Giovanni di PaoloLinkedCulture matchlcp-4f607b13ee9c

Date
1460s
Medium
tempera and gold on wood panel
Culture
Italy, Siena
Department
Medieval Art
Institution
Cleveland Museum of Art
Object ID
142384

From the Cleveland Museum of Art record

Saint Catherine (1347–1380) was the daughter of a prosperous Sienese cloth dyer. At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became extremely popular in Siena when she selflessly cared for the sick and dying victims of the bubonic plague, known as the Black Death. These panels were once part of a predella (or pedestal) of a large altarpiece painted for the Hospital Church of Siena. The main scene of this altarpiece, showing the Presentation of Christ in the Temple (now preserved in Siena) was ordered by the Pork Butchers Guild (the Pizzicaiuoli) in 1447. The predella was added later when Catherine was canonized in 1461. In the first panel she kneels before an altar and reaches up to choose from the monastic garments offered by Saints Dominic, Augustine, and Francis, all founders of religious orders. Catherine takes the habit of Saint Dominic, which she wore as the founder of the Sisters of Penance. The second panel shows, at the right, Saint Catherine giving her cloak to a threadbare beggar. The beggar was really Christ in disguise, and at the left he returns the cloak to her. For this act of charity, the cloak perpetually protected its wearer from the cold. Saint Dominic can be identified by his black and white habit and the lilies he holds.

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Provenance & credit

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Credit line
Gift of the John Huntington Art and Polytechnic Trust
Provenance
1461-?: S. Maria della Scala, Siena | 1838-1867: Johann Anton Ramboux, Cologne (bought in Siena, c. 1838) | 1867: (Cologne Sale May 1867) | 1867: A. Muller, Dusseldorf, sold to the Hohenzollern Family | ?-1920: Hohenzollern family, Sigmaringen | 1921-1966: Baron Adolphe Stoclet, Brussels | 1966: (R. Heinemann, New York, sold to the Cleveland Museum of Art) | 1966-: The Cleveland Museum of Art, Cleveland, OH

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