Folio 18 from a Chandana Malayagiri Varta (Story of King Chandana and Queen Malayagiri) of Karamachand: Ravana battles the great vulture Jatayu and defeats him by throwing stones in his mouth (recto); Jatayu approaches Rama and Lakshmana who are wondering where Sita could be (verso)

Cleveland Museum of Art

Folio 18 from a Chandana Malayagiri Varta (Story of King Chandana and Queen Malayagiri) of Karamachand: Ravana battles the great vulture Jatayu and defeats him by throwing stones in his mouth (recto); Jatayu approaches Rama and Lakshmana who are wondering where Sita could be (verso)

Date
1744–45
Medium
Gum tempera, ink, and gold on paper
Culture
Northwestern India, Rajasthan, Rajput Kingdom of Kishangarh
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art
Object ID
143653

From the Cleveland Museum of Art record

Scenes pertaining to the loss and rescue of Sita have been embedded in a popular tale written by Bhadrasena (active c. 1620), and expanded by the poet Karamacand in 1629–30. The pages from this manuscript are dispersed among many collections. Its last page, known from a photograph provided by Arun Bharany in New Delhi, includes a colophon statement. It informs us that the manuscript was written in Samvat 1802 (equivalent to 1744–45) in Kishangarh for five patrons named Rikhaji, Karamchandji, Mahataji, Shri Jagamalaji, and his son Motichandji. The scribe was a monk named Udayasagar in the Bijai (or Vijay) Gacch, a monastic lineage of the Shvetambar Jains. Reciting, hearing, and meditating on this story was thought to bring merit for ten million eons (a crore of kalpas).

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.K8p3zicsZaJc724A.lJvnea-QbLJiLd11ltkAxh9LTllT1MVej9nql8WF229jsVq-f5_WYZBRpWlD7o6IJJ-ZAZy5PxWyrLzgXG_u8pnNuXTBGctoZW6JmlZUoTheudHuVffIEGlyMNPgpB09H7yHIt4XCc5IuWceHoNnogRtVvo8R9Eq6T4UT_3ydojz7i_6VGUUubTt-ZiH5DIZV140Z0VwwYCq6Rzy3rPUV8nEgjY8lS6MSTSmKX1piwqb6Lq8OI_Agfrt2wX2etluKnFDIY_R7Aq60JY6OFG4wRgYOt1g52ZrUH0SY3AKEiCDoedn5QSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.LmOLRL7FtYte2qUU._QUkxfjaF6ir1cnLNQzVqGSaZdDTd7B9EFKP4MPdFLgoujnBpoYW0FjdC5ZMJRcNXr5rYs8nRG1TW_y8sdt8NXWxDaPGAbguqgn21AEwrO6gdC1bwYyg5smwebrroIwGKDWxV0JKrlCWiZiUuNyE9x41XIGDKUZ89gv4jz-L6dDIvaZ4aOhjvRREVFVfrSaOhLuz9CV7V-oNwyaYKS7G6buMqzGfqx1GbApPTM89asflJk_7bJxG0bKvHEyppASOYEkDdHshGrYH-yxlNxumzYfr2PJZ6qSmW0efZPJY9Q
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
James Parmelee and Cornelia Blakemore Warner Funds
Provenance
?–1968: (Arun Bharany, New Delhi, India, sold to the Cleveland Museum of Art) | 1968–: The Cleveland Museum of Art, Cleveland, OH

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.