
Cleveland Museum of Art
The Five Hundred Arhats
Wu BinLinkedCulture matchlcp-aa9e117574a6
- Date
- 1591–1626
- Medium
- Handscroll; ink and color on paper
- Culture
- China, Ming dynasty (1368–1644)
- Department
- Chinese Art
- Institution
- Cleveland Museum of Art
- Object ID
- 145953
From the Cleveland Museum of Art record
More than 66 feet long, this handscroll depicts 447 luohans , 72 attendants, and the bodhisattva of compassion at its very end. Luohans (arhats in Sanskrit), disciples of the Buddha and protectors of the Buddha’s law, possess supernatural powers and take on myriad external appearances. The amusing assortment of characters are engaged in an array of religious, secular, and miraculous activities. The painter used stylistic features borrowed from earlier artists, carefully controlled lines, and refined coloring. Wu Bin was a lay Buddhist and depicting this sort of image was part of a religious practice seeking understanding of the Buddha’s teaching. Far advanced on the path to enlightenment, arhats have the capacity to tame tigers, free dragons, and to float on water or in the air.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- John L. Severance Fund
- Provenance
- 1736–95: Qing imperial collection (seals of Emperor Qianlong, r. 1736–1795) | 1960s?: Cheng Qi 程琦 [1911–1988] by descent to his son, Stephen O. K. Chen | ?–1971: Stephen O. K. Chen [20th century], New York, sold to the Cleveland Museum of Art | 1971–: The Cleveland Museum of Art, Cleveland, OH
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