The Five Hundred Arhats

Cleveland Museum of Art

The Five Hundred Arhats

Wu BinLinkedCulture matchlcp-aa9e117574a6

Date
1591–1626
Medium
Handscroll; ink and color on paper
Culture
China, Ming dynasty (1368–1644)
Department
Chinese Art
Institution
Cleveland Museum of Art
Object ID
145953

From the Cleveland Museum of Art record

More than 66 feet long, this handscroll depicts 447 luohans , 72 attendants, and the bodhisattva of compassion at its very end. Luohans (arhats in Sanskrit), disciples of the Buddha and protectors of the Buddha’s law, possess supernatural powers and take on myriad external appearances. The amusing assortment of characters are engaged in an array of religious, secular, and miraculous activities. The painter used stylistic features borrowed from earlier artists, carefully controlled lines, and refined coloring. Wu Bin was a lay Buddhist and depicting this sort of image was part of a religious practice seeking understanding of the Buddha’s teaching. Far advanced on the path to enlightenment, arhats have the capacity to tame tigers, free dragons, and to float on water or in the air.

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Open this page QR destination: https://linkedculture.org/q/q1.Ld7GlckBI71cGrjd.rAVPDHRdxphhCKrRTFL2rk2L4c2IXmmf49KxZj0CFoxvg8-EtOQoBT2KKxzyCHlkPM0PpNAiAXW-QvSpus2ia5yZgVXlB-I6eY_ebw91JH5UqYvH6pvxHsyqhatlE5ENHJdDV0b7pOdOinm0E-R-qdpdAvDgKD_bYCFUeMuwZww3EkmP4ht_lC6B67YOVz9kFqTfs90GWsyOqskw89h4f6kACGFq13sXo4eV96Gbc-GPZo0U1EGykRxKnhTTdnuOidIzZ5-BEX0TZpt1uQI6RL-rxVw5pyZ5fajkza3JGnf5qQJc3gSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.L0ZyXPDYuFXrl2uh.0Wvmz8MmLwK4LpsRVr5dp7zMp9yD-aKD5CZc1hZRqTkBLBAc3klNkJnboeib82Nr4I1z1sbhAJNbEV8bbw_4IH7NPscbmIg8QYRL8HllYBM8nzcBn2W1HAJrAZjdP_ri0XOydOiHiXz6TAPu8AE2IRDYwJ91tW2vSW7KQZTrcZtjVTe0Hcb51Mwwbffzy58QHqM4h2Savf2LE-YsDAJFqYryEnJR93O_5UvII5JdM1U_lZSpHEjND1bIrSE0XGCrhBxE-PL4HYX3XLn4tBddxoG_fY35d697VvOV2gEN
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Provenance & credit

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Credit line
John L. Severance Fund
Provenance
1736–95: Qing imperial collection (seals of Emperor Qianlong, r. 1736–1795) | 1960s?: Cheng Qi 程琦 [1911–1988] by descent to his son, Stephen O. K. Chen | ?–1971: Stephen O. K. Chen [20th century], New York, sold to the Cleveland Museum of Art | 1971–: The Cleveland Museum of Art, Cleveland, OH

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