
Cleveland Museum of Art
Portrait of An Qi
Wang HuiLinkedCulture matchlcp-3157bcde1cd4
- Date
- 1715
- Medium
- hanging scroll; ink and color on paper
- Culture
- China, Qing dynasty (1644-1911)
- Department
- Chinese Art
- Institution
- Cleveland Museum of Art
- Object ID
- 145964
From the Cleveland Museum of Art record
An Qi, the subject of the portrait, was a second-generation salt merchant from Korea. He used part of his wealth to collect art. At the time this painting was commissioned, An was less than 40 years old. He is represented as a Daoist recluse in nature, informally dressed with attributes such as books and a wrapped guqin instrument, a portrait convention for literati-scholars since the Six Dynasties period (220–589 CE). The local Taihu rock, banana plants, and crane suggest a southern garden and a life in seclusion. An’s portrait is evidence of merchants aspiring to the scholar-official class. According to the inscription, this painting was the joint effort of three men, the eldest and most famous was Wang Hui. While the garden setting is homogenous in style, it contrasts with the application of opaque pigments and shading employed for the depiction of An Qi’s face. Seven of An Qi's close friends wrote poetic inscriptions on the silk brocade mount around his portrait.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- John L. Severance Fund
- Provenance
- An Qi 安岐 [c. 1683–c. 1744] | Xu Bojiao 徐伯郊 [1913–2002] | Cheng Qi 程琦 [1911–1988], to his son, Stephen O. K. Chen | Stephen O. K. Chen [20th century], New York/Tokyo, sold to the Cleveland Museum of Art | 1971-: The Cleveland Museum of Art, Cleveland, OH
Part of a LinkedCulture topic
Chinese landscape paintingsThese are predominantly Chinese paintings from the Ming, Qing, Yuan, and Song dynasties that depict natural landscape scenes including mountains, rivers, forests, and human settlements using traditional media such as ink
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