Doorknocker with Gorgon Head

Cleveland Museum of Art

Doorknocker with Gorgon Head

Date
mid-1500s
Medium
bronze
Culture
Italy, Venice
Department
European Painting and Sculpture
Institution
Cleveland Museum of Art
Object ID
146210

From the Cleveland Museum of Art record

Venice was a center for numerous bronze founders who made elaborate doorknockers for palace doors throughout the city. Although utilitarian, these objects were meant to impress as works of art in their own right. The presence of snakes that coil from this fearsome head suggest that this is Medusa, one of the three demon sisters in Greek mythology known as the Gorgons. According to some legends, Medusa was an attractive woman who, after having an affair with the god Poseidon in Athena's temple, was transformed by the goddess into a serpent-haired beast. Her visage was so terrifying that anyone who looked at it was turned to stone. The hero Perseus was ordered to decapitate Medusa, and Athena subsequently placed the monstrous head in the center of her shield. The use of the Gorgon's head as an ancient motif and protective symbol to avert evil developed from this fabled act. Such literary and iconographic traditions were known to Renaissance artists, and the presence of a Gorgon head on a doorknocker almost certainly evokes its guarding function for a Venetian home.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.MLTefLZn7EgzoJ2y.nzeEDlTnZnkVvK0ScWFxK5kFnx56IiEb4Dshb8uBj8f1qCtXX0Q38xl2AnSvkZzBp_jpb7h7ubMORNsYPelcc4NOn306sTYoEahViUkqNj8Lumzyjb4hqnlJS-OhkoL30tbZ4gtRwNqBtzaBfZwyoyahGzMN3vlnY3GBqLgHJZcFH7Kx5wD8_hHLRUDq9Lg6GXeGFsMHBM3rLhja0BoKAtfAwIAWJiOF0caXjlh6BuJKeJI4Rq89B4Ihhkjz_Belo-4340av6J-EJPB865irIg-4dbhRTMqE4F6RD0eMBW8xH0ZKgASee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.J6m4vcMRlMQYuVdN.b-3-Y89FklsyHNexpOAIwPryI7nYPvxAtBCxq5JgxpuVCjBtKt2aRMzdKL216mVwbnuzR7EwMwUXHvA0zPn7diCVx8R234p52SbaV5X_YJtvFo7UQ8guYWoutdLRosfdsg6DbGxl7U-alvVUW2FXCKE6XNv8El5OUcwB81zqSttIXU4hZRbEZrcXojft4zB_jftZyE5yjfpIbgHJyYYZZ4NIEtIx4UQhbaZxwQjnwNJaOfnf_MwBCg6FbYoeVdAD_2dWMwCyTGeZ87yyF-EOGvTdZ3HDoWBa4saQ0AE
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Purchase from the J. H. Wade Fund
Provenance
Robert Mayer (Vienna, Austria), sold through the Paul Drey Gallery (New York, New York) to the Cleveland Museum of Art, 1972.

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.