
Cleveland Museum of Art
White-Robed Guanyin
Zhang YuehuLinkedCulture matchlcp-75b4b6a7c6d3
- Date
- late 1200s
- Medium
- Hanging scroll; ink on paper
- Culture
- China, Southern Song dynasty (1127-1279)
- Department
- Chinese Art
- Institution
- Cleveland Museum of Art
- Object ID
- 146713
From the Cleveland Museum of Art record
The figure here sits on a rocky elevation representing Potalaka in the Southern Sea, Avalokitesvara’s island home. A vase with a bamboo sprig holds pure water, the nectar of life. Bamboo shines through the figure’s halo, a way of seeing the illusionary world through the Buddhist truth. Avalokitesvara (Guanyin in Chinese), the bodhisattva of compassion, was integrated into the Chan Buddhist canon of venerated beings. In this context, the bodhisattva is often depicted in its female manifestation as the White-Robed Guanyin. The worship of the feminine White-Robed Guanyin has its origins on Mount Tianzhu in Hangzhou, where Qian Liu (852–932), ruler of the Wuyue kingdom, established the Upper Tianzhu Monastery to venerate her image. As an artist, Zhang Yuehu was better known in Japan than in his own country.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Leonard C. Hanna Jr. Fund
- Provenance
- ?–1972: (Mayuyama and Company, Tokyo, Japan, sold to the Cleveland Museum of Art) | 1972–: The Cleveland Museum of Art, Cleveland, OH
Part of a LinkedCulture topic
Buddhist and Hindu IconographyThese objects are connected by their representation of sacred figures and deities from Buddhist and Hindu religious traditions across Asian cultures, including sculptures, paintings, and ritual objects depicting buddhas,
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