Bifolio from an Antiphonary: Historiated Initial O with the Nativity

Cleveland Museum of Art

Bifolio from an Antiphonary: Historiated Initial O with the Nativity

Date
early 1400s
Medium
ink, tempera, and gold on parchment
Culture
Bohemia, Prague, 15th century
Department
Medieval Art
Institution
Cleveland Museum of Art
Object ID
148397

From the Cleveland Museum of Art record

This splendid bifolium (a sheet folded in half to form two leaves) once formed part of an important antiphonary produced for an unidentified Benedictine monastery in Bohemia. With its rich illumination, it provides an important example of Bohemian painting during the opening years of the 15th century as well as painting in the city of Prague, one of the great court centers of Europe. The decoration of the leaf is dominated by a majestic initial O that depicts the Nativity. A scene in the background shows the angel Gabriel’s Annunciation to the Shepherds. The initial itself is placed within a square frame outside of which a single Benedictine monk observes the sacred event. The initial introduces the Latin chants for the first vespers of Christmas Day: O iuda et iherusalem (“Oh Judea and Jerusalem”). Framing the text are luxurious, scrolling acanthus leaves. Within the upper margin, two prophets emerge from the lush, foliated tendrils to observe the nativity below. In this way, the foretelling of the birth of Christ in the Old Testament is established visually.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.PJvXONhYssFq2CPG.GkpahpDf5hpkJx_y2xw4lc5U5LYAHMimcJv7t4e8gSYeuhLdQcT3i_jzis0N_V8VyZ_XThWuWZ1zSxr6BECvJUkHwHhYuJtMAIjhrYgltZEifybragLN3Qz_2IhK8AL3XZsMr_aqZCK82n9A5hsRoW2X7BQN56s3cd2hkTd1MZjA5A6c3Y_gkgZ3Tl5FkgX4gmVnonOo2XRpAen0N1d_ZuxDglxB0iUa422E1cIeoFVLSRR9ppSahezYBTjLDIdpaOSIk1UQ0lGNnmXJfS8MKP2r9RGaHHyXkVmIyZABPK-JzwyToQSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.vrQ4-H3AovUl8bcB.amaff9_eEMJ5V4M9hXYq2DnqQgBdEQvjnvC1pHCZ1qioVy_W-6gkiaKv_gYFF1db7gv1E21YUgCNEuN9Z6JZ0XEue62WzhU0snLIycrPnrftpCmROuVNC2NVQHBvajiuBIKoq_6TxVMsEPfY-b2K4iapjJR0AtlWBxXRZZIeaYVNCCM5Ay_Xywr3x1pvC8njEyCp0gvuA0p0lcaNI90uk7N_zi1JJDL8oZVj9JyJ0oterRGl0A6plDFMTMRBqFW_t5K2ws_cvC91zqhvpPy80wh5EcdTdtux1AEkPeoj_g
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Andrew R. and Martha Holden Jennings Fund
Provenance
early 1930s-1976: L. V. Randall, Luzern and Montreal, Canada, sold to the Cleveland Museum of Art | 1976-: The Cleveland Museum of Art, Cleveland, OH

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.