Mrs. Sarah Siddons

Cleveland Museum of Art

Mrs. Sarah Siddons

Thomas GainsboroughLinkedCulture matchlcp-5fd7040ad1f9

Date
1785
Medium
black chalk with extensive stump work with traces of white gouache
Culture
England, 18th century
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
148811

From the Cleveland Museum of Art record

Although Thomas Gainsborough produced about a thousand portraits in oil, the artist typically worked directly on the canvas rather than making preparatory drawings of his sitters. This study, so closely related to the artist’s finished painting of the famous actress Mrs. Sarah Siddons, is highly unusual. One scholar has hypothesized that because the portrait was not made on commission but conceived for an exhibition in his studio, Gainsborough may have had only a single sitting with the celebrated actress, and knew he would he would have to rely on the drawing as a basis for the finished work. The sitter for this portrait, Sarah Siddons, was the subject of a competition between Thomas Gainsborough and his rival Sir Joshua Reynolds, who exhibited a portrait of the actress at the Royal Academy the year before this drawing was made.

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Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
John L. Severance Fund
Provenance
?-?: R. P. Roupell, London | 1887: (sale, Christie's, London, July 14, 1887, no. 1331, sold to Thibaudeau) | 1887-?: Thibaudeau | ?-1917: Henry J. Pfungst, London | 1917: (sale, Christie's, London, June 15, 1917, no. 30, sold to Connell) | 1917-?: Connell | ?-by 1933: Andrew T. Reid, Auchterarder | after 1933-?: (Oscar and Peter Johnson Fine Art, London) | ?-1976: (Otto Wertheimer Gallery, Paris, sold to the Cleveland Museum of Art, Cleveland, OH) | 1976-: Cleveland Museum of Art, Cleveland, OH

Part of a LinkedCulture topic

  • Representative object from the topic English Portrait Miniatures
    English Portrait Miniatures

    A collection of portrait miniatures from 17th-18th century England, predominantly featuring watercolor on ivory or graphite and wash techniques, representing the tradition of intimate personal portraiture in miniature fo

    221 objects from 4 institutions

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