
Cleveland Museum of Art
Rain-coming Pavilion by the Stone Bridge at Mt. Tiantai
Dai XiLinkedCulture matchlcp-518e80e6d02c
- Date
- 1848
- Medium
- handscroll, ink on paper
- Culture
- China, Qing dynasty (1644-1911)
- Department
- Chinese Art
- Institution
- Cleveland Museum of Art
- Object ID
- 149662
From the Cleveland Museum of Art record
The subject is not just Mount Tiantai in Zhejiang Province, the ancient seat of the most powerful Buddhist sect of Sui and Tang dynasties, but records a specific occasion in 1838 when an official visited Tiantai and began the reconstruction of a historic pavilion. As this coincided with the end of a long drought, the building was auspiciously renamed the Yulai (Rain-Coming 雨來) Pavilion. Ten years later, Dai Xi painted this handscroll to commemorate the occasion. Dai Xi actively resisted the Taiping rebels and drowned himself after their 1860 capture of his hometown, Hangzhou. For this loyal deed, Dai was posthumously rewarded with a temple built in his name.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Norman O. Stone and Ella A. Stone Memorial Fund
- Provenance
- ?–1979: Wan-go H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art | 1979–: The Cleveland Museum of Art, Cleveland, OH
Part of a LinkedCulture topic
Chinese landscape paintingsThese are predominantly Chinese paintings from the Ming, Qing, Yuan, and Song dynasties that depict natural landscape scenes including mountains, rivers, forests, and human settlements using traditional media such as ink
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